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Tate Britain Exhibition

Degas, Sickert and Toulouse-Lautrec London and Paris 1870–1910

5 October 2005 – 15 January 2006
Edgar Degas L'Absinthe 1875-6 Oil on canvas

Edgar Degas L'Absinthe 1875–6 Oil on canvas

Lent by the Musée d’Orsay, Paris © Photo RMN H. Lewandowski

Edgar Degas L'Absinthe

Degas, Sickert and Toulouse-Lautrec presents the height of decadence this autumn, featuring many of the most famous images of ballet dancers, cancan girls and music hall singers from the turn of the century. The exhibition explores the frenzied exchange of ideas between British and French painters of the time and presents a debauched modern world of decadence, entertainment and dandyism.

Among the many great images is Edgar Degas’s L’Absinthe 1875–6, lent by the Musée d’Orsay and not seen in an exhibition in London since the nineteenth century. It was condemned as 'immoral', 'vulgar', 'boozy' and 'degraded' when it was shown in London in 1893, whereas others instantly proclaimed it a masterpiece, demonstrating the divided feelings over the new art techniques and subject matter.

While Edgar Degas, Walter Sickert and Henri de Toulouse-Lautrec dominate the exhibition, the show presents modern scenes by many other innovative painters, such as Pierre Bonnard, Edouard Vuillard, James Abbott McNeill Whistler and James Tissot. Drawing on a range of international collections in Europe, Australia and the United States, this is an unmissable chance to explore a moment of brilliant artistic invention and see some of the most beautiful paintings from the founding years of modern art.

Tate Britain

Millbank
London SW1P 4RG
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Dates

5 October 2005 – 15 January 2006

Sponsored by

British Land

British Land

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  • Victor Leydet Poster for Absinthe Superieure circa1900

    The drink that fuelled a nation's art

    Jad Adams

    The Green Goddess haunted a nation and fuelled its art, including that of Degas, Sickert and Toulouse-Lautrec.

  • Charles Conder A Dream in Absinthe 1890

    A drink among friends

    Barry Humphries

    The British-born fin-de-siècle bohemian Charles Conder arrived in Paris in 1890, where he soon discovered a fondness for Absinthe. The Green Goddess Absinthe haunted a nation and fuelled its art, including that of Degas, Sickert and Toulouse-Lautrec.

  • Modern Painters: The Camden Town Group

    Modern Painters: The Camden Town Group; past exhibition at Tate Britain

  • Degas

    Degas: past Tate Britain exhibition

  • Degas: Images of women

    Degas: Images of women: past Tate Liverpool exhibition

  • 'Poor abraded butterflies of the stage': Sickert and the Brighton Pierrots

    Nicola Moorby

    Sickert's interest in popular entertainment extended beyond the London music-hall and his 1915 painting Brighton Pierrots depicts a troupe of vaudeville performers on the beach at Brighton. This paper explores the social-historical context of seaside Pierrot groups in England and the related European traditions of the Commedia dell'Arte and French pantomime

  • Sickert: Paintings and Drawings

    Sickert: Paintings and Drawings: past exhibition at Tate Britain

  • W.R. Sickert Drawings and Paintings Installation, Tate Liverpool 1989

    W.R. Sickert: Drawing and Paintings 1890–1942

    W R Sickert: Drawing and Paintings 1890–1942 past Tate Liverpool exhibition

  • Walter Richard Sickert's Miss Gwen Ffrangcon-Davies as Isabella of France 1932

    Lynette Yiadom-Boakye

    Tate Etc. invited a selection of contemporary artists featured in the new rehang of British art at Tate Britain to choose a favoured work from a fellow artist – past or present – also on display. Here, Lynette Yiadom-Boakye discusses Walter Richard Sickert’s Miss Gwen Ffrangcon-Davies as Isabella of France 1932

  • Artist

    Edgar Degas

    1834–1917
  • Artist

    Walter Richard Sickert

    1860–1942
  • Artist

    Henri de Toulouse-Lautrec

    1864–1901
Artwork
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