Abstract art is art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect
- Introduction to abstract art
- Abstract art in focus
- Abstract art in context
- Other perspectives
- Abstract art in detail
The word abstract strictly speaking means to separate or withdraw something from something else. Abstract art is art which is not representational, it could be based on a subject or may have no source at all in the external world.
Drawn from reality vs pure abstraction
- The term abstract art can be applied to art that is based an object, figure or landscape, where forms have been simplified or schematised to create an abstracted version of it. Cubist and fauvist artists depended on the visual world for their subject matter but opened the door for more extreme approaches to abstraction.
- The term is also applied to art that uses forms, such as geometric shapes or gestural marks, which have no source at all in an external visual reality. Some artists of this ‘pure’ abstraction have preferred terms such as concrete art or non-objective art, but in practice the word abstract is used across the board and the distinction between the two is not always obvious.
Pioneers of ‘pure’ abstract painting were Kazimir Malevich and Piet Mondrian from about 1910–20. A pioneer of abstract sculpture, which took reference from the modern world was the Russian constructivist Naum Gabo. Since then abstract art has formed a central stream of modern art.
DLA Piper Series: The Twentieth Century
Jump to the second floor of this exhibition which was at Tate Liverpool in 2007, to look at the abstract artists of the twentieth century.
A brief history of abstract art with Turner, Mondrian and more
Read our feature which gives quick tour through the history of abstract art, taking in some unexpected pioneers such as Turner and Matisse.
The theories behind abstract art
There are many theoretical ideas behind abstract art. Art for art’s sake – that art should be purely about the creation of beautiful effects, is one of the main theories. That art can or should be like music is another theory – in that just as music is patterns of sound, art’s effects should be created by pure patterns of form, colour and line. The idea, derived from the ancient Greek philosopher Plato, that the highest form of beauty lies not in the forms of the real world but in geometry, is also used in discussion of abstract art as is the idea that abstract art, to the extent that it does not represent the material world, can be seen to represent the spiritual.
In general abstract art is often seen as carrying a moral dimension, in that it can be seen to stand for virtues such as order, purity, simplicity and spirituality.
Development of abstract art
Browse the slideshow of Tate artworks below and read the image captions to see how abstract art developed from its beginnings in the early twentieth century to become a central stream in modern art.
Black Square was Malevich’s first abstract painting. His concept of non-representational abstraction opened unlimited possibilities for future generations.
Five ways to look at Malevich’s Black Square
This article explores the background of Malevich’s most iconic work and the reaction to the work through time.
This exhibition, which was on display at Tate Modern in 2014, was the first retrospective of Malevich’s work in the UK. Read the exhibition guide, watch the exhibition film and see which works were on display.
David Batchelor on Malevich
David Batchlor, an artist who has shown work in exhibitions such as Extreme Abstraction at the Albright-Knox Art Gallery, discusses his various encounters with Malevich’s work.
Mondrian felt that his pure, geometric works in the form of neo-plasticism, reflected a greater, universal truth beyond everyday appearance.
He developed the language of abstract art as we know it today
Curator Michael White talks about Mondrian’s areas of colour in perpendicular relationships, and talk us through the Mondrian and his Studios exhibition which was at Tate Liverpool in 2014.
The Sound of Mondrian playlist
Listen to the Mondrian playlist, compiled of jazz records which influenced his works.
Rothko’s iconic paintings, composed of luminous, soft-edged rectangles saturated with colour, are among the most enduring and mysterious created by an artist in modern times.
Curator Achim Borchardrt-Hume gives us a tour of Tate Modern’s 2008 Rothko exhibition including his iconic Seagram Murals, Black-Form paintings, and the Black on Grey painting.
Explore the immersive environment of Rothko’s paintings by taking a virtual tour of the Rothko exhibition
Landscapes of the mind
Simon Grant talks to abstract and minimalist painter Brice Marden about his enduring fascination with Rothko’s paintings.
Temple of mysteries
Writer John Banville gives a personal appreciation of Rothko after a visit to Tate Modern’s Rothko Room.
Abstract art in context
What comes across through all of these works is a great energy, artistic change and dynamicism as Britain becomes modernised and the centre of an empire.
Watch Curator Chris Stephens talks us through the 1910–1914 room at Tate Britain, when abstract art was beginning to form.
The first abstract artist? (And it’s not Kandinsky)
Read our Tate Etc. article which looks at the evidence that a Swedish female artist called Hilma af Klin was the pioneer of abstract art not Kandisky.
Other perspectives: music and poetry
Tate: Remixed, Francesca Beard on Rothko
Poet Francesca Beard imagines an alternate universe, where Rothko’s Seagram Murals did not go to the Tate Modern, but to the Four Seasons as it was originally intended to be places in 1961.
Victor Pasmore’s Black Abstract
Contemporary artist Gabriel Kuri poetically describes Victor Pasmore’s Black Abstract.
Abstract art in detail
Richter’s paintings. How did he make them?
Curator Mark Godfrey and painting conservator Rachel Barker discuss the process and what lies underneath Richter’s abstract paintings.
Abstraction and Interpretation Study Day video recordings
This study day focuses on the interpretation of abstract art, from Russian Suprematism to Minimalism and beyond, with speakers including leading Tate curators and artist Phyllida Barlow.