Collection Displays | British Art 1500 -1900 | Art and Victorian Society (Room 15)
 
This is a past display.
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Art and Victorian Society (Room 15)
 
 

Queen Victoria’s reign (1837–1901) was an age of expanding population, industry, prosperity and dominion. Interest in art grew, and exhibition-visiting became an increasingly popular pastime. The wealthy amassed large picture collections, often focussing on the work of contemporary British painters. Art criticism was more widespread and more influential than ever before. On the whole the Victorians were confident about their artistic achievements; many thought that they were experiencing an age of unprecedented creativity, which was the equal of any previous artistic period. Indeed by the end of the century, artists such as JE Millais, GF Watts and Frederic Leighton, were being compared with Titian, Michelangelo and Raphael. On the other hand, some felt that the period was marked by a decline in standards of taste and thus art production, and challenges to prevailing values were made by successive groups of artists, including the Pre-Raphaelite Brotherhood, formed in 1848.

Many of the paintings shown here reflect the taste of a new class of collectors – industrialists, merchants and entrepreneurs – enriched by the Industrial Revolution and empowered by a series of parliamentary reforms. Such collectors promoted art that embodied middle-class values: propriety, respectability, hard work, the sanctity of family life, piety and self-improvement. In this context art was viewed as a moral teacher; its purpose was to educate the mind and benefit the soul. The importance of narrative in art can be linked to the popularity of the novel in this period. Attention to detail, story telling and characterisation were admired as much in paintings as in the literary works of Dickens, Thackeray and the Brontës. Equally important were modern-life subjects, ranging from panoramas of Victorian society, to more intimate modern moral problems. As a reviewer remarked in 1854, ‘for Art to be a living thing amongst us, she must deal with subjects and themes from life’.

This display has been devised by curator Christine Riding

BP British Art Displays 1500-2005

 
50 Works Displaying 1 to 10
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Sorry... Image not available, due to copyright restrictions
  Sir John Everett Millais, Bt 1829-1896
  Flowing to the River 1871
L01852   painting
  On Display
at Tate Britain
 
William Powell Frith The Derby Day 1856-8
  William Powell Frith 1819-1909
  The Derby Day 1856-8
N00615   painting
 
 
Dante Gabriel Rossetti Ecce Ancilla Domini! (The Annunciation) 1849-50
  Dante Gabriel Rossetti 1828-1882
  Ecce Ancilla Domini! (The Annunciation) 1849-50
N01210   painting
  On Display
at Tate Britain
 
Dante Gabriel Rossetti Beata Beatrix circa 1864-70
  Dante Gabriel Rossetti 1828-1882
  Beata Beatrix circa 1864-70
N01279   painting
  On Display
at Tate Britain
 
Frederick Walker The Harbour of Refuge 1872
  Frederick Walker 1840-1875
  The Harbour of Refuge 1872
N01391   painting
 
 
Sir John Everett Millais, Bt The Yeoman of the Guard 1876
  Sir John Everett Millais, Bt 1829-1896
  The Yeoman of the Guard 1876
N01494   painting
  On Display
at Tate Britain
 
Robert Braithwaite Martineau The Last Day in the Old Home 1862
  Robert Braithwaite Martineau 1826-1869
  The Last Day in the Old Home 1862
N01500   painting
 
 
Sir John Everett Millais, Bt The Vale of Rest 1858-9
  Sir John Everett Millais, Bt 1829-1896
  The Vale of Rest 1858-9
N01507   painting
  On Display
at Tate Britain
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Sir Luke Fildes The Doctor exhibited 1891
  Sir Luke Fildes 1843-1927
  The Doctor exhibited 1891
N01522   painting
  On Display
at Tate Britain
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Sir Lawrence Alma-Tadema A Silent Greeting 1889
  Sir Lawrence Alma-Tadema 1836-1912
  A Silent Greeting 1889
N01523   painting
 
 
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