Collection Displays | British Art 1500 -1900 | John Martin and Visions of the Apocalypse (Room 14)
 
This is a past display.
For current displays please visit: Current Collection Displays.
 
John Martin and Visions of the Apocalypse (Room 14)
 
 

In the late-eighteenth century writers and artists began to explore the aesthetic and emotional qualities of immensity, darkness and terror. The word ‘Sublime’ was used to describe the sensations derived from the representation of such qualities in art. In particular, the dramatic potential of landscape was explored, so that by the early-nineteenth century the land and the sea were no longer employed merely as attractive backdrops but had themselves taken a leading role in the narrative of the painting. JMW Turner emphasised the monumental power of nature compared with the helplessness of mankind, and used landscape to evoke heightened emotional states.

Turner’s ideas were developed and exaggerated by John Martin and Francis Danby, who were rivals in the production of spectacular ‘showstoppers’ of cataclysmic events. The Bible, packed with powerful stories of the Deluge, the Apocalypse and the Last Judgement, proved to be highly fertile ground. Martin’s paintings were dismissed as vulgar by the Royal Academy, but were nonetheless extremely popular with the public. The climax of this success was the trilogy of huge canvases called the Judgement Series, completed in 1853 and exhibited in public halls across Britain and the United States for twenty years after Martin’s death.

A very different interpretation of biblical subject matter is also shown here in the work of Frederic Leighton and GF Watts. Whereas Martin and Danby miniaturised human beings to emphasise their powerlessness in the face of God and Nature, both Leighton and Watts expressed their sense of the Sublime through the human body. Both were inspired by the monumental work of the Renaissance artist Michelangelo, and in particular his fresco cycles of biblical subjects in the Sistine Chapel, Rome. Watts was convinced that art had the power to appeal to the human soul, and produced images of intense spirituality, often in an attempt to visualise the purely psychological.

This display has been devised by curator Christine Riding

British Art Displays 1500-2004

Supported by BP
 
10 Works  
Frederic, Lord Leighton And the Sea Gave Up the Dead Which Were in It exhibited 1892
  Frederic, Lord Leighton 1830-1896
  And the Sea Gave Up the Dead Which Were in It exhibited 1892
N01511   painting
  On Display
at Tate Britain
 
George Frederic Watts Hope 1886
  assistants and George Frederic Watts 1817-1904
  Hope 1886
N01640   painting
  On Display
at Tate Britain
 
George Frederic Watts Eve Tempted exhibited 1884
  George Frederic Watts 1817-1904
  Eve Tempted exhibited 1884
N01643   painting
  On Display
at Tate Britain
 
George Frederic Watts Eve Repentant circa 1865-97
  George Frederic Watts 1817-1904
  Eve Repentant circa 1865-97
N01644   painting
  On Display
at Tate Britain
 
George Frederic Watts The All-Pervading 1887-90
  George Frederic Watts 1817-1904
  The All-Pervading 1887-90
N01687   painting
  On Display
at Tate Britain
Write Your Own Label Write Your Own Label
John Martin The Great Day of His Wrath 1851-3
  John Martin 1789-1854
  The Great Day of His Wrath 1851-3
N05613   painting
  On Display
at Tate Britain
 
Francis Danby The Deluge exhibited 1840
  Francis Danby 1793-1861
  The Deluge exhibited 1840
T01337   painting
  On Display
at Tate Britain
 
John Martin The Last Judgement 1853
  John Martin 1789-1854
  The Last Judgement 1853
T01927   painting
  On Display
at Tate Britain
 
John Martin The Plains of Heaven 1851-3
  John Martin 1789-1854
  The Plains of Heaven 1851-3
T01928   painting
  On Display
at Tate Britain
 
Samuel Colman (or Coleman) The Destruction of the Temple circa 1830-40
  Samuel Colman (or Coleman) 1780-1845
  The Destruction of the Temple circa 1830-40
T01980   painting
 
 
You can add all the works on this page to your personal selection by clicking on the button to the right
BT Website