J.M.W. Turner
Joseph Mallord William Turner Four Views of the River Rhine: Two of the Lorelei, Looking downstream to Burg Katz; Cliffs near the Lorelei; the Lorelei, with a Boat 1817
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Joseph Mallord William Turner, Four Views of the River Rhine: Two of the Lorelei, Looking downstream to Burg Katz; Cliffs near the Lorelei; the Lorelei, with a Boat 1817 -
Joseph Mallord William Turner, Four Views of the River Rhine: Two of the Lorelei, Looking downstream to Burg Katz; Cliffs near the Lorelei; the Lorelei, with a Boat 1817 (Enhanced image)Enhanced image
Joseph Mallord William Turner,
Four Views of the River Rhine: Two of the Lorelei, Looking downstream to Burg Katz; Cliffs near the Lorelei; the Lorelei, with a Boat
1817
Folio 1 Verso:
Four Views of the River Rhine: Two of the Lorelei, Looking downstream to Burg Katz; Cliffs near the Lorelei; the Lorelei, with a Boat 1817
D12703
Turner Bequest CLX 1a
Turner Bequest CLX 1a
Pencil on white wove paper, 150 x 94 mm
Inscribed by Turner in pencil ‘Laureligh’ top centre and ‘Luruley’ towards top right
Inscribed by Turner in pencil ‘Laureligh’ top centre and ‘Luruley’ towards top right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.462, CLX 1a, as ‘Four sketches of the Lurley Beg – “Laureligh.”’.
1980
David Hill, Stanley Warburton and Mary Tussey, Turner in Yorkshire, exhibition catalogue, York City Art Gallery, York 1980, p.67.
1980
Agnes von der Borch, J.M. William Turner: Köln und der Rhein, exhibition catalogue, Wallraf–Richartz–Museum, Cologne 1980, pp.55, 56, 57.
1981
Karl Heinz Stader, William Turner und der Rhein, Bonn 1981, p.12 note 10.
1991
Cecilia Powell, Turner’s Rivers of Europe. The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, pp.58 note 39, 59 note 59, p.102, reproduced, p.195 as ‘(1) The Lorelei, looking downstream to Burg Katz ... | (2) The Lorelei, looking downstream to Burg Katz | (3) Cliffs on the Rhine near the Lorelei | (4) The Lorelei, with a moored boat’.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.25, 77 notes 31 and 43.
1998
Kim Sloan, J.M.W. Turner: Watercolours from the R.W. Lloyd Bequest in the British Museum, London 1998, p.66.
These sketches, with those on folio 2 recto opposite (D12704), were made on Turner’s return journey downstream along the Rhine from the south. Views from midstream evidently made from a boat, they focus on the Lorelei (Lurleiburg) on the east bank of the river, which fascinated Turner and features in seven of the watercolours of Rhine scenery that he sold to Walter Fawkes later in 1817. The top sketch, looking past the great rock on the right towards the town of St Goarshausen and Burg Katz (Neukatzenelnbogen) on the crag above, became the basis of Fawkes’s watercolour Lurleiburg and St Goarshausen (British Museum, London).1 The bottom drawing, showing a small boat moored beneath the rock, anticipates another Fawkes watercolour of the Lorelei (Whitworth Art Gallery, Manchester).2
David Blayney Brown
June 2025
How to cite
David Blayney Brown, ‘Four Views of the River Rhine: Two of the Lorelei, Looking downstream to Burg Katz; Cliffs near the Lorelei; the Lorelei, with a Boat 1817’, catalogue entry, June 2025, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, June 2026, https://www
