Joseph Mallord William Turner A Tempest - Voyage of Columbus, for Rogers's 'Poems' c.1830-2
Joseph Mallord William Turner,
A Tempest - Voyage of Columbus, for Rogers's 'Poems'
c.1830-2
Joseph Mallord William Turner 1775–1851
A Tempest – Voyage of Columbus, for Rogers’s ‘Poems’ circa 1830–2
D27719
Turner Bequest CCLXXX 202
Turner Bequest CCLXXX 202
Pencil and watercolour, approximately 130 x 165 mm on white wove paper, 242 x 310 mm
Stamped in black ‘CCLXXX 202’ bottom right
Stamped in black ‘CCLXXX 202’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (400).
1963
Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, National Gallery of Art, Washington DC, September–October 1963, Museum of Fine Arts of Houston, Texas, November 1963, M.H. de Young Memorial Museum, San Francisco, December 1963–January 1964, Cleveland Museum of Art, Ohio, January–March 1964, William Rockhill Nelson Gallery of Art, Kansas City, Missouri, March–April 1964, Brooklyn Museum, New York, May 1964, National Gallery of Canada, Ottawa, June–July 1964 (51).
1972
J.M.W. Turner: Gemälde Aquarelle, Nationalgalerie Staatliche Museen Preußischer Kulturbesitz, Berlin, September–November 1972 (72, reproduced in colour).
1973
Turner {1775 / 1851}: desenhos, aguarelas e óleos / Drawings, Watercolours and Oil Paintings, Fundação Calouste Gulbenkian, Lisbon, June–July 1973 (40, reproduced).
1974
Turner 1775–1851, Royal Academy, London, November 1974–March 1975 (283).
1975
Turner 1775–1851: zhivopis', risunok, akvarel', Hermitage Museum, Leningrad, October–November 1975, Pushkin Museum, Moscow, December 1975–January 1976 (25).
1981
J.M.W. Turner (1775–1851) / ¿¿.¿.G. ¿e¿¿e¿ (1775–1851), National Pinakothiki, Athens, January–March 1981 (30, reproduced in colour).
1982
Turner and the Sea: Watercolours from the Turner Bequest, Loaned by the British Museum, Tate Gallery, London, January–June 1982 (no catalogue).
1992
Turner as Professor: The Artist and Linear Perspective, Tate Gallery, London, October 1992–January 1993 (135, reproduced).
1993
Turner’s Vignettes, Tate Gallery, London, September 1993–February 1994 (27, reproduced in colour).
References
1903
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume I: Early Prose Writings 1834–1843, London 1903, pp.233, 244.
1904
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.380–1.
1906
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XXI: The Ruskin Art Collection at Oxford, London 1906, p.214.
1909
A.J. Finberg, A Complete Inventory of the Drawings in the Turner Bequest, London 1909, vol.II, p.904, as ‘The Evil Spirit’.
1963
Edward Croft-Murray, Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, exhibition catalogue, National Gallery of Art, Washington DC 1963, p.20 no.53.
1972
Werner Haftmann, Andrew Wilton, Henning Bock and others, J.M.W. Turner: Gemälde Aquarelle, exhibition catalogue, Nationalgalerie Staatliche Museen Preußischer Kulturbesitz, Berlin, September–November 1972, pp.92 reproduced colour, 121 no.72.
1973
Norman Reid, Andrew Wilton and Luke Herrmann, Turner {1775 / 1851}: desenhos, aguarelas e óleos / Drawings, Watercolours and Oil Paintings, exhibition catalogue, Fundação Calouste Gulbenkian, Lisbon 1973, pp.27, 108–9 no.40, reproduced.
1974
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.99 no.283.
1975
Graham Reynolds, Turner 1775–1851: zhivopis', risunok, akvarel', exhibition catalogue, Hermitage Museum, Leningrad 1975, p.30 no.25.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.444 no.1207.
1981
Dimitrios Papastamos, John Gage and Lindsay Stainton, J.M.W. Turner (1775–1851) / ¿¿.¿.G. ¿e¿¿e¿ (1775–1851), exhibition catalogue, National Pinakothiki, Athens 1981, pp.105 no.30, 116, reproduced (colour).
1983
Cecilia Powell, ‘Turner’s vignettes and the making of Rogers’ “Italy” ’, Turner Studies, vol.3, no.1, Summer 1983, p.10.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.291 note 93.
1987
John Gage, J.M.W. Turner: ‘A Wonderful Range of Mind’, New Haven and London 1987, p.204.
1999
Gerald Finley, Angel in the Sun: Turner’s Vision of History, Montreal and Kingston 1999, p.204.
1992
Maurice Davies, Turner as Professor: The Artist and Linear Perspective, exhibition catalogue, Tate Gallery, London 1992, pp.100, reproduced, 121 no.135, reproduced.
1992
Jan Piggott, ‘Turner’s “Columbus” Vignettes’, Turner Society News, no.61, August 1992, p.12.
1993
Jan Piggott, Turner’s Vignettes, exhibition catalogue, Tate Gallery, London 1993, pp.85 no.27 reproduced, 97, and reproduced colour on front cover.
This is one of seven illustrations that Turner produced for ‘The Voyage of Columbus’, a miniature epic poem which is the final work in the published volume of Rogers’s Poems (for a brief description of the poem, see Tate D27705; Turner Bequest CCLXXX 188). The seven vignettes in order of their appearance in Rogers’s text are: Tate D27705, D27706, D27714, D27707, D27708, D27719, D27709; Turner Bequest CCLXXX 188, 189, 197, 190, 191, 202, 192.
Twice the Moon filled her silver urn with light.
Then from the Throne an Angel winged his flight;
...
“The wind recalls thee; its still voice obey.
Millions await thy coming; hence, away.
To thee blest tidings of great joy consigned,
Another Nature, and a new Mankind!...
Hence! tho’ assembling in the fields of air,
Now, in a night of clouds, thy Foes prepare
To rock the globe with elemental wars,
And dash the floods of ocean to the stars;
To bid the meek repine, the valiant weep,
And Thee restore thy Secret to the Deep!”
(Poems, pp.261–2)
Then from the Throne an Angel winged his flight;
...
“The wind recalls thee; its still voice obey.
Millions await thy coming; hence, away.
To thee blest tidings of great joy consigned,
Another Nature, and a new Mankind!...
Hence! tho’ assembling in the fields of air,
Now, in a night of clouds, thy Foes prepare
To rock the globe with elemental wars,
And dash the floods of ocean to the stars;
To bid the meek repine, the valiant weep,
And Thee restore thy Secret to the Deep!”
(Poems, pp.261–2)
Turner’s vignette shows the angel delivering his prophecy, whilst in the turbulent seas beneath Columbus’s ships are tossed by a violent storm. Surrounding the spirit in the sky are a number of armed spirits, an allusion to the angel’s prophecy that there will be war before there is peace in America.
Like another illustration, The Vision, which appears earlier in the ‘Columbus’ series (see Tate D27714; Turner Bequest CCLXXX 197), A Tempest is remarkable for combining imaginative design with dazzling light and colour effects. The imagery and content can be related to a number of other works by Turner. Anne Tennant has suggested that the series as a whole points toward Turner’s religious pictures of the 1840s,3 and Jan Piggott has observed that the angel seen here bears a strong resemblance to the figure of the spirit in the oil painting Shadrach, Meshach and Abednego in the Burning Fiery Furnace exhibited 1832 (Tate N00517).4 John Gage, meanwhile, has highlighted the link between this vignette and The Angel Standing in the Sun exhibited 1846 (Tate N00550),5 to which Turner appended the following couplet from Canto VI of Rogers’s ‘Voyage of Columbus’:6
The morning march that flashes to the sun;
The feast of vultures when the day is done
The feast of vultures when the day is done
(Poems, p.242)
Verso:
Inscribed by unknown hands in pencil ‘4’ top centre left and ‘31 | a’ centre right and ‘CCLXXX.202’ bottom centre
Stamped in black ‘CCLXXX 202’ lower centre
Stamped in black ‘CCLXXX 202’ lower centre
Meredith Gamer
August 2006
How to cite
Meredith Gamer, ‘A Tempest – Voyage of Columbus, for Rogers’s ‘Poems’ c.1830–2 by Joseph Mallord William Turner’, catalogue entry, August 2006, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www