[J.E. Taylor and Henry Vaughan], Exhibition Illustrative of Turner’s Liber Studiorum, Containing Choice Impressions of the First States, Etchings, Touched Proofs, together with the Unpublished Plates, and a Few Original Drawings for the Work, exhibition catalogue, Burlington Fine Arts Club, London 1872, pp.40 under no.58, A Composition commonly called Raglan Castle, p..
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue, London 1878, p.118 under no.58, ‘Usually called Raglan Castle’.
Rev. Stopford [Augustus] Brooke, Notes on the Liber Studiorum of J.M.W. Turner, R.A., revised ed., London 1885, pp.–9, as ‘Raglan Castle’.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume III: Modern Painters: Volume I, London 1903, p.236.
Ibid., Volume VII: Modern Painters: Volume V, London 1903, pp.433, 434, 480.
Ibid., Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p. 644 no.865, as ‘Raglan’.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.141 under no.58, ‘Usually known as Raglan Castle’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.322, CXVIII E, as ‘Raglan Castle’ (Vaughan Bequest).
Alexander J. Finberg, Turner’s Sketches and Drawings, London 1910, reproduced p.79 pl.XXXIX, p.81.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.3.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p., p.231 under no.58.
Martin Hardie, The Liber Studiorum Mezzotints of Sir Frank Short, R.A., P.R.E. after J.M.W. Turner, R.A. Catalogue & Introduction, London 1938, p.49.
Luke Herrmann, Ruskin and Turner: A Study of Ruskin as a Collector of Turner, Based on his Gifts to the University of Oxford; Incorporating a Catalogue Raisonné of the Turner Drawings in the Ashmolean Museum, London 1968, p.93.
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, p.111, reproduced p.116.
Gerald Wilkinson, Turner Sketches 1789–1820, London 1977, reproduced p.124.
Gerald Wilkinson, Turner on Landscape: The ‘Liber Studiorum’, London 1982, pp.23–4, reproduced p.23, p.98.
Robert Upstone, Turner: The Second Decade: Watercolours and Drawings from the Turner Bequest 1800–1810, exhibition catalogue, Tate Gallery, London 1989, p.32.
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, p.62, reproduced p.63 pl.51, p.64.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.14, 15, 24 note 82, pp.119–20 no.58i, reproduced, pp.120, 161.
Joyce H. Townsend, ‘Turner’s “Drawing Book”, the “Liber Studorium” [sic]: Materials and Techniques’, ICOM Committee for Conservation Preprints, London 1996, vol.I, reproduced p.377 fig.2, p.378.
Gillian Forrester, David Hill, Matthew Imms and others, Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, exhibition catalogue, Galerie Stihl, Waiblingen 2008, p.154.