A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.818, CCLXIII 52, as ‘Castle on rocky coast’. c.1820–30.
Joyce H. Townsend, ‘Turner Research Project: Information on Painting Materials via Standard Imaging Techniques’, Journal of Photographic Science, vol.40, 1992, p.64.
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.21, 45 no.18, reproduced in colour, as ‘Compositional, Colour and Underpainting Study for Crickieth Castle, North Wales?’. ?1836, pp.94, 95, 101, 104 (p.94 Appendix I under ‘Criccieth Castle’, p.95 under ‘England and Wales Series’, as ‘Study for Crickieth Castle, North Wales?’. c.1836, p.101 under ‘Sea Sketches and Studies’, p.104 Appendix II, as ‘Study: Criccieth Castle, North Wales?’).
Ian Warrell in Fan Di’an, Warrell, Matthew Imms and others, Turner from the Tate Collection, exhibition catalogue, National Art Museum of China, Beijing 2009, p.176, as a Bamburgh Castle subject.
Ian Warrell (ed.), J.M.W. Turner: The Making of a Master, exhibition catalogue, Art Gallery of South Australia, Adelaide 2013, p.174 no.80, reproduced in colour, p.250 no.80, as ‘Study for Bamburgh Castle (also linked with the watercolour of “Crickieth Castle, North Wales”)’. ?1836.