A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.834, CCLXIII 269, as ‘Rocks on coast, with ruined castle’, c.1820–30.
John Sillevis, Nini Jonker and Hripsimé Visser, Turner 1775–1851, exhibition catalogue, Haags Gemeentemuseum, The Hague 1978, p.98 no.59, as ‘Rocks on the coast’, reproduced.
John Gage, Exposicion del gran pintor ingles, William Turner: Oleos y acuarelas: Collecciones de la Tate Gallery, British Museum y otros museos ingleses, exhibition catalogue, Museo de Arte Moderno, Mexico City 1979, reproduced p.43, p.61 no.BM57, as ‘Rocas de la costa’.
John Gage and Ana T. de Gradowska, Oleos y acuarelas de Joseph Mallord William Turner, exhibition catalogue, Museo de Bellas Artes, Caracas, Venezuela 1979, p. no.BM57, as ‘Rocas en la costa’.
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, p.95 Appendix I ‘Dover’.
Ian Warrell in Warrell, José Jiménez, Nicola Moorby and others, Turner y el mar: Acuarelas de la Tate, exhibition catalogue, Fundación Juan March, Madrid 2002, reproduced in colour p.52, p.133 no.10, as ‘Dover deste el oeste’, c.1820–25.
Ian Warrell in Warrell, Nicola Moorby, Sarah Taft and others, O mar e a luz: Aguarelas de Turner na colecção da Tate, exhibition catalogue, Museu Calouste Gulbenkian, Lisbon 2003, reproduced in colour p.53, p.151 no.11, as ‘Dover from the West (a study for the ‘Southern Coast’ design)’, c.1820–25.
Anna Poznanskaya, Ian Warrell, Matthew Imms and others, ¿¿¿¿¿¿ [Turner], exhibition catalogue, Pushkin Museum of Art, Moscow 2008, p.88 no. 44, as ‘Dover from the West (a Study for the “Southern Coast” Design’), c.1820–25, reproduced in colour.
Thomas Ardill in Fan Di’an, Ian Warrell, Matthew Imms and others, Turner from the Tate Collection, exhibition catalogue, National Art Museum of China, Beijing 2009, p.81 no.44, as ‘Dover from the West (a Study for the “Southern Coast” Design’), c.1820–25, reproduced in colour, p.170.