A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1026, CCCXVIII 1, as ‘St. Mark’s, Venice. 1st Loan Collection, No.97’, p.1029, CCCXIX 11, as ‘St. Mark’s. 1st Loan Collection, No.97’.
Catalogue of Original Drawings in Watercolour, Etc., by J.M.W. Turner, R.A., T. Girtin and E. Dayes. Lent by the Trustees of the National Gallery, exhibition catalogue, Laing Art Gallery and Museum, Newcastle 1922, p.8 no.26, as ‘St. Mark’s, Venice’.
A.J. Finberg, In Venice with Turner, London 1930, p.175, CCCXVIII 1, as ‘S. Mark’s’, probably 1835, p.176, CCCXIX 11, as ‘Duplicate entry, now cancelled’.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.134 no.216, as ‘Venice: The Piazza of St Mark’s’, 1840, reproduced p.135.
Timothy Clifford, Търнър, exhibition catalogue, Shipka Gallery, Sofia, Bulgaria 1978, p. no.57, as ‘CCCXVII–1’.
Dimitrios Papastamos, John Gage and Lindsay Stainton, J.M.W. Turner (1775–1851) / ΤΖ.Μ.Γ. Τερνερ (1775–1851), exhibition catalogue, National Pinakothiki, Athens 1981, reproduced in colour p.134, pp.135–6 no.53, as ‘Venice: the Piazza of St Mark’s’, ?1840, reproduced in colour.
Lindsay Stainton, Turner’s Venice, London 1985, p.45 no.8, as ‘St Mark’s from the Piazzetta’, ?1833, pl.8 (colour).
Ian Warrell, ‘R.N. Wornum and the First Three Loan Collections: A History of the Early Display of the Turner Bequest outside London’, Turner Studies, vol.11, no.1, Summer 1991, p.41 no.97, as ‘St Mark’s, Venice (Colour, on brown)’.
David Blayney Brown, Turner and Byron, exhibition catalogue, Tate Gallery, London 1992, p.127 no.100, as ‘Venice: The Piazzetta and St Mark’s, Night’, c.1833–5, reproduced.
David Blayney Brown in Brown, Klaus Albrecht Schröder, Evelyn Benesch and others, Joseph Mallord William Turner, exhibition catalogue, Bank Austria Kunstforum, Vienna 1997, p.284 no.86, as ‘Venice: The Piazzetta and St. Mark’s, Night’, c.1833–5, reproduced in colour p.285.
David B[layney] Brown, Yasuhide Shimbata and Hideko Numata,J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, p.142 no.77, as ‘Venice: the Piazzetta and St. Mark’s, Night’, c.1833–5, reproduced in colour.
Sam Smiles, J.M.W. Turner, British Artists, London 2000, fig.42 (colour), as ‘St Mark’s from the Piazzetta’, ?1840.
Inge Herold, Turner on Tour, Munich and New York 1997, reproduced in colour p.81, as ‘Venice: The Piazzetta and St Mark’s, Night’, c.1833–5, p.85.
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.119, 125–6, 259, 264 note 8, 272 no.130, as ‘The Piazzetta, with San Marco and its Campanile; Night’, 1840, fig.123 (colour).
Ian Warrell, Cecilia Powell and David Laven, Turner i Venècia, exhibition catalogue, Fundació ”la Caixa”, Barcelona 2005, p.108 no.37, as ‘La Piazzetta, amb San Marco i el Campanile, a la nit’, 1840, reproduced in colour.
Ian Warrell in Martin Schwander, Bożena Anna Kowalczyk, Warrell and others, Venice: From Canaletto and Turner to Monet, exhibition catalogue, Fondation Beyeler, Riehen 2008, p.62, reproduced in colour p.80, p.220, as ‘The Piazzetta, with San Marco and its Campanile; Night’, 1840.
Nicola Moorby in David Blayney Brown, Amy Concannon and Sam Smiles (eds.), Late Turner: Painting Set Free, exhibition catalogue, Tate Britain, London 2014, pp.109–10 no.58, as ‘Venice: The Piazzetta, with San Marco and its Campanile; Night’, 1840, reproduced in colour.