Joseph Mallord William Turner Four Sketches in the ?Gulf of Salerno 1819
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Joseph Mallord William Turner,
Four Sketches in the ?Gulf of Salerno
1819
Joseph Mallord William Turner 1775–1851
Folio 35 Recto:
Four Sketches in the ?Gulf of Salerno 1819
D15976
Turner Bequest CLXXXVI 33
Turner Bequest CLXXXVI 33
Pencil on white wove paper, 113 x 189 mm
Inscribed by the artist in pencil ‘Cuyp’, ‘Grey’ and ‘Cyp’, ‘Golden’ and ‘yellow | Grey’ within sketch, top right. Also ‘Golden’ underneath middle sketch, and ‘Sea’ within sketch parallel with left-hand edge
Inscribed by ?John Ruskin in red ink ‘33’ bottom left, inverted and ‘245’ top left, inverted
Stamped in black ‘CLXXXVI 33’ top left, inverted
Inscribed by ?John Ruskin in red ink ‘33’ bottom left, inverted and ‘245’ top left, inverted
Stamped in black ‘CLXXXVI 33’ top left, inverted
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.552, as ‘Four landscape sketches; over one is written “Cuyp” ’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.27 note 19.
These four sketches depict views of a rugged coastal landscape, possibly within the Gulf of Salerno. The studies are rough and swiftly executed but the most interesting details are the colour notes and other inscriptions with which Turner has annotated the scenes. These include the name of the seventeenth-century artist, Aelbert Cuyp (1620–91), known as the ‘Dutch Claude’ because of the golden Italianate quality of the light in his landscape paintings. Turner greatly admired Cuyp’s work and his name intermittently appears in sketchbooks from across his European travels, as well as on a view of Florence from Fiesole in the Rome and Florence sketchbook (Tate D16627; Turner Bequest CXCI 84).1 In 1818, the year before his Italian tour, he had exhibited a painting at the Royal Academy, Dort, or Dordrecht, the Dort Packet-Boat from Rotterdam Becalmed (Yale Center for British Art), which was a direct homage to the Dutch master.2 Clearly the yellow colouring and atmospheric conditions which Turner observed at this moment during his exploration of southern Italy brought Cuyp’s work to the forefront of his mind once again.
Nicola Moorby
July 2010
How to cite
Nicola Moorby, ‘Four Sketches in the ?Gulf of Salerno 1819 by Joseph Mallord William Turner’, catalogue entry, July 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www