E.T. Cook (ed.), Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged, London 1902, vol.I, p.101, as ‘Voreppe’.
Charles Holme (ed.), Robert de la Sizeranne, Walter Shaw Sparrow and others, The Genius of J.M.W. Turner, R.A., London, Paris and New York 1903, reproduced Pl.37: MW 14.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.609, as ‘Voreppe’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.198, LXXIV 23, as ‘Voreppe – “Chartruse”’.
Michael Kitson, J.M.W. Turner, London 1964, pp.12, 40, as ‘Voreppe’.
Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, p.58 reproduced Fig.103, as ‘Voreppe’.
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, pp.36 reproduced, 43, 167, as ‘Mill and bridge in the “Chartreuse”. Possibly Fourvorie, at the engranced to the Gorges du Guiers Mort’.
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.68–9 reproduced in colour, as ‘Fourvorie, Gorges du Guiers Mort...’.
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.68–9 reproduced in colour.