John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.101 no.159 [exhibited RA 1830].
Turner’s Celebrated Landscapes: Sixteen of the Most Important Works of J.M.W. Turner, R.A. Reproduced from the Large Engravings in Permanent Tint by the Autotype Process, London 1870, p.103, no.163.
C[harles] F[rancis] Bell, A List of the Works Contributed to Public Exhibitions by J.M.W. Turner, R.A., London 1901, p.53 no.81.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.541, as ‘Funeral of Sir Thomas Lawrence at St Paul’s’.
C[harles] Lewis Hind, Turner’s Golden Visions, London and Edinburgh 1910 and 1925, pp.162–3.
Camille Mauclair, Turner, trans. Eveline Byam Shaw, London and Toronto 1939, p.160, as ‘Funeral of Sir Thomas.
Sir John Rothenstein, Turner (1775–1851), London 1960, reproduced p.24 (bottom).
Edward Croft-Murray, Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, exhibition catalogue, National Gallery of Art, Washington DC 1963, no.26, reproduced p., as ‘The Funeral of Sir Thomas Lawrence, P.R.A., at St Paul’s Cathedral’.
Graham Reynolds, Bicentenary Exhibition 1768–1968, exhibition catalogue, Royal Academy of Arts, London 1968, no.540, as ‘The Funeral of Sir Thomas Lawrence at Saint Paul’s’.
John Gage, Colour in Turner: Poetry and Truth, London 1969, p.230 note 69.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, no.436, p.124, as ‘Funeral of Sir Thomas Lawrence, a Sketch from Memory’.
Ph. Dumoulin, Un Peintre et son critique: Turner et Ruskin, Le Revest Saint-Martin 1975, pp.66 notes 74, 91.
Joseph R. Goldyne, J.M.W. Turner: Works on Paper from American Collections, exhibition catalogue, University Art Museum, Berkeley, California 1975, p.76 under no.6.
Gerald Wilkinson, Turner’s Colour Sketches 1820–34, London 1975, pp.16, 47, reproduced in colour.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, British Museum, London 1975, p.96 under no.147.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.359 no.521, reproduced.
John Gage (ed.), Collected Correspondence of J.M.W. Turner with an Early Diary and a Memoir by George Jones, Oxford 1980, p.137 note 4.
Jack Lindsay, Turner: The Man and His Art, London 1985, p.109.
Andrew Wilton, Turner in his Time, London 1987, pp.163, 168, reproduced p. pl.89 in colour [cited incorrectly as CCLXXIII 344].
Nicholas Alfrey, ‘Turner and the Cult of Heroes’, in Turner Studies, vol.8, no.2, Winter 1988, p.42, reproduced p.43 fig.14.
Ann Chumbley and Ian Warrell, Turner and the Human Figure: Studies of Contemporary Life, exhibition catalogue, Tate Gallery, London 1989, no.22, p.36, reproduced and in colour, p.19.
Evelyn Joll, ‘Turner and the Human Figure’, exhibition review, Turner Studies, vol.9, no.1, Summer 1989, p.59.
Michael Bockemühl, J.M.W. Turner 1775–1851: Die Welt des Lichts und der Farbe, Cologne 1991,.
Michael Bockemühl, J.M.W. Turner 1775–1851: The World of Light and Colour, trans. Michael Claridge, Cologne 1993, p.51, reproduced pl.95.
Evelyn Joll, ‘Review: Turner: The Fifth Decade: Watercolours 1830–1840’, Turner Society News, no.61, August 1992, p.7.
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, no.1, pp.11, 41, reproduced.
Cecilia Powell, ‘Turner’s Sketches: Purpose and Practice’, in Joyce H. Townsend (ed.), Turner’s Painting Techniques: In Context: 1995, London 1995, p.56, reproduced fig.1.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, p.38 note 50.
Anthony Bailey, Standing in the Sun: A Life of J.M.W. Turner, London 1997, p.262.
David B[layney] Brown, Yasuhide Shimbata and Hideko Numata, J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, no.84, reproduced in colour.
David Blayney Brown, Klaus Albrecht Schröder, Evelyn Benesch and others, Joseph Mallord William Turner, exhibition catalogue, Bank Austria Kunstforum, Vienna 1997, no.94, p.41, reproduced in colour.
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.30, 32 note 29, 97, 99.
Celina Fox, ‘Turner and London: The Kurt Pantzer Memorial Lecture, delivered in the Clore Auditorium on 23 April 1998’, Turner Society News, no.81, March 1999, p.14.
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, no.71, pp.12, 28, 42, 171, reproduced in colour, as ‘Funeral of Sir Thomas Lawrence, a sketch from memory’.
Robin Hamlyn, ‘Sir Thomas Lawrence’, in Evelyn Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.162.
Andrew Kennedy, ‘London’, in Evelyn Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.176.
Eric Shanes, Phillip King and Anthony Bailey, The Death of JMW Turner RA, 19 December 1851: A Commemoration on the 150th Anniversary: The Turner Society, St Paul’s Cathedral, London, 19 December 2001, London 2001, p.7, reproduced p.6.
Robert Yardley, ‘Exhibited Watercolours’, in Evelyn Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.97.
Joyce H. Townsend, ‘The Analysis of Watercolor Materials, in Particular Turner’s Watercolors at the Tate Gallery (1790s to 1840s)’ in Harriet K. Stratis and Britt Salvesen (eds.), The Broad Spectrum: Studies in the Materials, Techniques and Conservation of Color on Paper, London 2002, p.83, reproduced fig.2.14.
Joyce H. Townsend (ed.), Robin Hamlyn (consultant ed.) and others, William Blake: The Painter at Work, London 2003, pp.144, 145, reproduced fig.120.
Eric Shanes, Turner: The Life and Masterworks, New York 2004, p.44.
Michael Levey, Sir Thomas Lawrence, New Haven and London 2005, p.299, reproduced in colour p.298, pl.163, as ‘Funeral of Sir Thomas Lawrence from Memory’.
Andrew Wilton, Turner in his Time, revised ed., London 2006, p.151, reproduced pl.151 in colour.
David Blayney Brown, Turner Watercolours, exhibition catalogue, Tate Britain, London 2007, p.15, reproduced in colour p.71.
Sam Smiles, J.M.W. Turner: The Making of a Modern Artist, Manchester and New York 2007, pp.15–16, 47 note 26.
Ian Warrell (ed.), Franklin Kelly and others, J.M.W. Turner, exhibition catalogue, National Gallery of Art, Washington 2007, p.257.
A. Cassandra Albinson, Peter Funnell and Lucy Peltz, Thomas Lawrence: Regency Power & Brilliance, exhibition catalogue, National Portrait Gallery, London 2010, p.261, reproduced in colour p.262, fig.87, as ‘Funeral of Sir Thomas Lawrence from Memory’.