A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.437, CLIV O.
Charles Lewis Hind, Turner’s Golden Visions, London and Edinburgh 1910 and 1925, p.266 (listing drawings exhibited at the National Gallery, 1908).
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.27 (no.21 reproduced, as ‘Gordale Scar).
Andrew Wilton, Turner and the Sublime, exhibition catalogue, Art Gallery of Ontario, Toronto 1980, pp.123–4 no.30 reproduced, 179, no.104.
Evelyn Joll, ‘Review of Turner in Yorkshire exhibition’ in Turner Studies, I, part 1, 1980, p.38.
Adele M. Holcomb, ‘Review of Turner and the Sublime exhibition’ in Turner Studies, III, part 1, 1980,p.52.
David Hill, In Turner’s Footsteps: Through the Hills and Dales of Northern England, London 1984, p.41 reproduced.
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, no.25 reproduced.
Andrew Kennedy, ‘Yorkshire’, in Evelyn Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.391.
David Blayney Brown, Turner Watercolours, exhibition catalogue, Tate Britain, London 2007, pp.27 detail reproduced, 53.
Simon Grant (ed.) and David Blayney Brown, Hockney on Turner Watercolours, exhibition catalogue, Tate Britain, London 2007, p.27.