E.T. Cook ed., Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged, vol.I, London 1902, p.248.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.266, 310, 366, 637.
A. J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.841, Turner Bequest CCLXIII 346, as ‘Grenoble’.
Andrew Wilton in Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.36–9 note 64.
Lindsay Stainton, in Maurice Guillaud and others, Turner en France, Paris 1981, p.536 reproduced in colour fig.1058.
Andrew Wilton, Turner as Draughtsman, Aldershot 2006, pp.87–8, 151 note 13.
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, pp.43 reproduced, 44.
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, p.34 reproduced in colour.
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.18–19, 29, 106.
Peter Bower, Turner’s Later Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1820–1851, exhibition catalogue, Tate Gallery, London 1999, p.44 reproduced.
Andrew Wilton, Turner as Draughtsman, Aldershot 2006, pp.87–8 reproduced, 151.