Joseph Mallord William Turner Hardraw Force 1816
Image 1 of 2
Joseph Mallord William Turner,
Hardraw Force
1816
Joseph Mallord William Turner 1775–1851
Folio 29 Verso:
Hardraw Force 1816
D11570
Turner Bequest CXLVIII 28a
Turner Bequest CXLVIII 28a
Pencil on white wove paper, 173 x 260 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.427, CXLVIII 28a, as ‘Waterfall’.
1975
Malcolm Cormack, J.M.W. Turner, R.A. 1775–1851: A Catalogue of Drawings and Watercolours in the Fitzwilliam Museum, Cambridge, Cambridge 1975, p.45, no.17 as ‘Hardraw’ (Turner Bequest number mistakenly given as ‘CLXVII’).
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.366, no.574.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.78, no.117.
1981
Peter Bicknell, Beauty, Horror and Immensity: Picturesque Landscape in Britain, 1750–1850, exhibition catalogue, Fitzwilliam Museum, Cambridge 1981, no.120.
1982
Stanley Warburton, Turner and Dr. Whitaker, exhibition catalogue, Towneley Hall Art Gallery & Museums, Burnley 1982, nos.58/59.
1983
John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, p.203, no.126.
1984
David Hill, In Turner’s Footsteps: Through the Hills and Dales of Northern England, London 1984, pp.31, 53–4, 105, 127.
1986
Eric Shanes, J.M.W. Turner: The Foundations of Genius, exhibition catalogue, Taft Museum, Cincinnati 1986, no.30.
2006
Emma House, Michael Rudd and Paul Clark, Joseph Mallord William Turner: Tours of Durham and Richmondshire, exhibition catalogue, Bowes Museum, Barnard Castle 2006, no.28.
Hardraw Force is near Hawes in Wensleydale. This is the left page of a double-page spread continued to the right on folio 30 recto (D11548; Turner Bequest CXLVIII 15a, now bound opposite), depicting the falls from a more distant viewpoint than a more detailed sketch of the subject on folio 30 verso (D11547; Turner Bequest CXLVIII 15). The present writer dates Turner’s sketches at Hardraw to Sunday 28 July 1816. The present example formed the basis of a studio colour study (Tate D25492; Turner Bequest CCXLIII 369) and thence for a finished watercolour, Hardraw Fall (Fitzwilliam Museum, Cambridge),1 painted about 1816–17 for Thomas Dunham Whitaker’s projected General History of the County of York (see sketchbook introduction) and engraved by Samuel Middiman in 1818 for the completed part, History of Richmondshire.
David Hill
May 2009
How to cite
David Hill, ‘Hardraw Force 1816 by Joseph Mallord William Turner’, catalogue entry, May 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2013, https://www