Joseph Mallord William Turner Inscriptions by Turner: Notes on Spring Flowers and Trees c.1830
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Joseph Mallord William Turner,
Inscriptions by Turner: Notes on Spring Flowers and Trees
c.1830
Joseph Mallord William Turner 1775–1851
Folio 42 Recto:
Inscriptions by Turner: Notes on Spring Flowers and Trees c.1830
D35831
Turner Bequest CCCLXIII 41
Turner Bequest CCCLXIII 41
Pencil on white wove paper, 76 x 98 mm
Inscribed by Turner in pencil with notes on flora (see main catalogue entry)
Inscribed in red ink by John Ruskin ‘41’ top right, ascending vertically
Stamped in black ‘CCCLXIII – 41’ top right, ascending vertically
Inscribed by Turner in pencil with notes on flora (see main catalogue entry)
Inscribed in red ink by John Ruskin ‘41’ top right, ascending vertically
Stamped in black ‘CCCLXIII – 41’ top right, ascending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1845
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1178, CCCLXIII 41, with partial transcription, c.1845–6.
1910
C[harles] Lewis Hind, Turner’s Golden Visions, London and Edinburgh 1910, p.221, with transcription.
1975
Geoffrey Grigson, Britain Observed: The Landscape through Artists’ Eyes, London 1975, p.187, with transcription.
1997
Anthony Bailey, Standing in the Sun: A Life of J.M.W. Turner, London 1997, p.389, with transcription.
2003
James Hamilton, Turner: The Late Seascapes, exhibition catalogue, Sterling and Francine Clark Art Institute, Williamstown 2003, p.68 with partial transcription, p.146 note 13, as ‘fol. 12’.
With the page turned vertically, the upper half is taken up with the following notes
May – [... W]
Blossoms Apple Cherry Lilac
Small white flowers in the [B...] Hedges
in Clusters, Dk Blue Bells
Butter cups, and daisies in the fields
Oak. Warm, Elm G. Ash yellow
[?Ox slip] and [...] by [?the ...]
Blossoms Apple Cherry Lilac
Small white flowers in the [B...] Hedges
in Clusters, Dk Blue Bells
Butter cups, and daisies in the fields
Oak. Warm, Elm G. Ash yellow
[?Ox slip] and [...] by [?the ...]
The last line is preceded by what may be a small drawing of flowers. Towards the foot of the page is a further observation:
The [?Plantagenet flower ...?Lilac ...]
Again, there is a small drawing of a ‘flower’, this time in the middle of the line after that word.
Going by Finberg’s mistakenly late dating of 1845–6 and placing of this sketchbook at the end of his 1909 Inventory’s sequence (see the Introduction), C.L. Hind took this example of Turner’s occasional written natural history notes (see for example Tate D03719, D12133; Turner Bequest LXI 63v, CLIV a 7) as an ‘utterance of joy in nature ... seen by his old eyes, and recorded tremblingly in his last Sketch-Book’,1 while Anthony Bailey noted the ‘terrible hand’,2 attributing this to the artist’s supposedly advanced age.
See also the written observations of a sunset effect on folio 6 recto (D35767).
Matthew Imms
September 2016
How to cite
Matthew Imms, ‘Inscriptions by Turner: Notes on Spring Flowers and Trees c.1830 by Joseph Mallord William Turner’, catalogue entry, September 2016, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2016, https://www