W[illiam] Cosmo Monkhouse, Turner, London 1882, reproduced p. (wood engraving).
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.xlix, 42, 269, 366, 635 no.556, as ‘Ivy Bridge (finished drawing)’.
Frances Tyrrell-Gill, Turner, Little Books on Art, London 1904, pp.62–3, reproduced opposite p.62.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIX: The Cestus of Aglaia and The Queen of the Air: With other Papers and Lectures on Art and Literature 1860–1870, London 1905, pp.411–12.
A[lexander] J. Finberg, The English Water Colour Painters, London and New York , reproduced p..
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.I, London 1908, p.76 under no.139.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.631, CCVIII X, as ‘Ivy Bridge’.
Martin Hardie, (Dudley Snelgrove, Jonathan Mayne and Basil Taylor, eds.), Water-colour Painting in Britain, vol.II, The Romantic Period, London 1967, p.32 and note 3, in error as ‘Turner Bequest CXXV.47’ (i.e. the pencil study for another Ivybridge composition: see main catalogue entry), pl.17.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.350 no.442, reproduced, as c.1813.
Michael Spender and Malcolm Fry, Turner at the Bankside Gallery: Catalogue of an Exhibition of Drawings & Water-colours of British River Scenes from the British Museum, exhibition catalogue, Bankside Gallery, London 1980, p.102 no.46, reproduced p.103. as c.1813–16.
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, pp.21 no.16, 152, pl.16 (colour). as c.1813.
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, reproduced in colour, p.14, pp.25–6 no.11, reproduced p.25, p.43 under no.48. as c.1813.
Eric Shanes, Turner’s England 1810–38, London 1990, p.37 no.15, reproduced (colour). as c.1813.
Sam Smiles, in Smiles and Michael Pidgley, The Perfection of England: Artist Visitors to Devon c.1750–1870, exhibition catalogue, Royal Albert Memorial Museum, Exeter 1995, reproduced in colour, p.102, pp.103–4 no.76. as c.1814.
Ian Warrell, ‘Appendix I: The First Selection of Watercolours from the Turner Bequest, 1856’ in Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, p.148 under nos.45–9, as ‘CCCVIII X’.
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, p.102 no.28, reproduced (colour). as c.1813.
David Blayney Brown, Turner in the Tate Collection, London 2002, p.88, pl.49 (colour). as 1813.
J.R. Piggott, ‘“Light into Colour. Turner in the South West”’, Turner Society News, no.103, August 2006, p.7.
Andrew Loukes in Ian Warrell (ed.), Franklin Kelly and others, J.M.W. Turner, exhibition catalogue, National Gallery of Art, Washington 2007, p.83 no.48, reproduced (colour). as c.1813.