E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.277, 628 no.407, as one of ‘Five Studies’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.378, CXXXIII 45, as ‘Ivy Bridge’.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.350 under no.442.
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, p.152.
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, p.26 under no.11, as ‘CXXXII 45’.
Eric Shanes, Turner’s England 1810–38, London 1990, pp.37 under no.15, 283 note 14.
Sam Smiles, in Smiles and Michael Pidgley, The Perfection of England: Artist Visitors to Devon c.1750–1870, exhibition catalogue, Royal Albert Memorial Museum, Exeter 1995, pp.104, 120 note 26.
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, pp.28, 30 note 112, as ‘NG 407[c]’, fig.17 (top centre).
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, p.102 under no.28.