J.M.W. Turner: Sketchbooks, Drawings and Watercolours

ISBN 978-1-84976-386-8

Joseph Mallord William Turner Jumièges Abbey, Normandy c.1832

Joseph Mallord William Turner 1775–1851
Jumièges Abbey, Normandy c.1832
D24577
Turner Bequest CCLIX 12
Gouache and watercolour with pen on blue paper, 138 x 192 mm
Stamped in black ‘CCLIX 12’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Turner worked gouache and watercolour paints over this ink drawing to depict the medieval abbey at Jumièges, Normandy. In the foreground, a gap in the trees leads the eye to the edifice’s high, ruined walls. A flick of white paint in the sky, meanwhile, suggests a crescent moon hanging over a nocturnal scene. Sketches of this riverside landmark recur frequently in the Seine and Paris sketchbook of a similar date and appear to have contributed to the conception of this colour study. For a list of these sketchbook drawings, see the entry for Tate D24021 (Turner Bequest CCLIV 71). For the finished watercolour of the abbey which Turner worked up with a view to engraved reproduction around this time, see Tate D24696 (Turner Bequest CCLIX 131). All this activity culminated in an engraved illustration for the 1834 volume of Turner’s Annual Tour: Wanderings by the Loire and Seine (1833–5; later reissued as Rivers of France); see Tate impression T05602.
Verso:
The bottom centre of the sheet is inscribed in pencil with a note reading ‘111’.

John Chu
August 2014

How to cite

John Chu, ‘Jumièges Abbey, Normandy c.1832 by Joseph Mallord William Turner’, catalogue entry, August 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, April 2015, https://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-jumieges-abbey-normandy-r1173070, accessed 12 May 2021.