Joseph Mallord William Turner Karden from the North c.1839
Joseph Mallord William Turner,
Karden from the North
c.1839
Joseph Mallord William Turner 1775–1851
Karden from the North c.1839
D24709
Turner Bequest CCLIX 144
Turner Bequest CCLIX 144
Gouache and watercolour on blue wove paper, 139 x 193 mm
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX–144’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX–144’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (382, as ‘On the Rhine?’).
1975
Turner in the British Museum: Drawings and Watercolours, Department of Prints and Drawings, British Museum, London, May 1975–February 1976 (111, reproduced as A town on the Moselle ? ) .
1978
¿¿¿¿¿¿, Shipka Gallery, Sofia, Bulgaria, ?April–May 1978, Belgrade, Serbia [former Yugoslavia], May 1978, Muzeul de Arte al RS [Republica Socialista] Romania, Bucharest, June–July 1978 (28, as ‘CCLXI–144’).
1981
J.M.W. Turner (1775–1851) / ¿¿.¿.G. ¿e¿¿e¿ (1775–1851), National Pinakothiki, Athens, January–March 1981 (26, reproduced in colour [p.97] as A town on the Moselle?).
1991
Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, Tate Gallery, London, September 1991–January 1992, Musée Communal d’Ixelles, Brussels, February–April 1992 (73, reproduced, and in colour [p.78]).
1995
Turner in Germany, Tate Gallery, London, May–September 1995, Städtische Kunsthalle Mannheim, September 1995–January 1996, Hamburger Kunsthalle, Hamburg, January–March 1996 (59, reproduced in colour).
References
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.626 no.382, as ‘On the Rhine?’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.797, as ‘On the Rhine (?)’.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.77 no.111, [p.76].
1991
Cecilia Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, pp.145 no.71, 146 no.73, reproduced.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.61, 64, 124 no.43, 139 no.59, reproduced in colour.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, p.77 no.59, reproduced in colour, and detail, [p.74].
This impressionistic scene shows the town of Karden on the Moselle. Michael Joseph Quin writes that no other settlement on this river ‘is more celebrated for the number and beauty of its old religious edifices’, the largest of these being the Romanesque Basilica of St Castor.1 With hairline strokes of ink, Turner delineates the contours of this ancient structure, leaving the body of the building unpainted and the blue paper exposed. It appears almost ghosted, looming over the local houses and buildings which are left rather diminutive in comparison.
St Castor, Quin remarks, has a ‘peculiar and most interesting appearance’ owing to ‘its three lofty belfries’, ‘high gabls [sic] and lengthened roofs’.2 By 1839 the basilica also housed ‘a female convent’ and several ‘small oratories’ which were ‘all stations for pilgrimages’.3 In front of the basilica and on the banks of the river is the Burghaus, a turreted and ‘castellated’ sixteenth-century house with multiple projecting towers’ which Quin writes was ‘probably intended to be the palace of some “baron bold”.’4
This gouache is based on the preliminary pencil sketch Tate D28558; Turner Bequest CCXCI 11a.
Verso:
Inscribed in pencil ‘CCLIX 144’ at bottom right.
Alice Rylance-Watson
September 2013
How to cite
Alice Rylance-Watson, ‘Karden from the North c.1839 by Joseph Mallord William Turner’, catalogue entry, September 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2014, https://www