Martin F. Krause, Turner in Indianapolis: The Pantzer Collection of Drawings and Watercolors by J.M.W. Turner and his Contemporaries at the Indianapolis Museum of Art, Indianapolis 1997, p.267 (transcribed from Hannah Cooper, ‘The Cooper Notebooks’, circa 1853–8, Indianapolis Museum of Art, vol.II, p.6 no.6, as ‘The Thames near Kingston’).
[J.E. Taylor and Henry Vaughan], Exhibition Illustrative of Turner’s Liber Studiorum, Containing Choice Impressions of the First States, Etchings, Touched Proofs, together with the Unpublished Plates, and a Few Original Drawings for the Work, exhibition catalogue, Burlington Fine Arts Club, London 1872, p.50.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue, London 1878, p.165 under no.87.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.645 no.873, as ‘Banks of the Thames, Kingston’.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.192 under no.87.
Edward F. Strange, The Etched and Engraved Work of Frank Short, A.R.A., R.E., London 1908, pp.54, 55.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.323, CXVIII W (Vaughan Bequest).
Liber Studiorum: J.M.W. Turner: Miniature Edition Containing Reproductions (I.) from First Published State of the Seventy-One Published Plates, and (II.) of the Original Drawings for, or Engraver’s Proofs of, All the Unpublished Plates as the Artist Left Them, London and Glasgow 1911, reproduced p.107 no.87.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.5.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p., p.349 under no.87.
Martin Hardie, The Liber Studiorum Mezzotints of Sir Frank Short, R.A., P.R.E. after J.M.W. Turner, R.A. Catalogue & Introduction, London 1938, p.66.
Evelyn Joll and Martin Butlin, L’opera completa di Turner 1793–1829, Classici dell’arte, Milan 1982, p..
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.66.
Ann Chumbley and Ian Warrell, Turner and the Human Figure: Studies of Contemporary Life, exhibition catalogue, Clore Gallery, Tate Gallery, London 1989, p.39.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.153 no.87i, reproduced, pp.160, 161, 163.