E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.610 no.40, as first of ‘Honfleur, Honfleur? (colour on grey)’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.793, CCLIX 75, as ‘Honfleur’, c.1830.
Judy Egerton, Martin Wyld and Ashok Roy, Making & Meaning: Turner: The Fighting Temeraire, exhibition catalogue, National Gallery, London 1995, p.136 no.45, as ‘Steamboat off a harbour (? Calais) at sunset’, c.1830.
James Hamilton, Turner and the Scientists, exhibition catalogue, Tate Gallery, London 1998, pp.79, 139 no.70, as ‘Honfleur’, 1830s, fig.79.
Ian Warrell, José Jiménez, Nicola Moorby and others, Turner y el mar: Acuarelas de la Tate, exhibition catalogue, Fundación Juan March, Madrid 2002, reproduced in colour p.104 and front cover, p.134 no.54, as ‘Puerto al amanecer, posiblemente Margate’, c.1835–40.
Ian Warrell, Nicola Moorby, Sarah Taft and others, O mar e a luz: Aguarelas de Turner na colecção da Tate, exhibition catalogue, Museu Calouste Gulbenkian, Lisbon 2003, reproduced in colour p.108, p.154 no.58, as ‘Margate Harbour at Sunrise’, c.1835–40.