Joseph Mallord William Turner Martigny; La Bâtiaz from the River Drance 1802
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Joseph Mallord William Turner,
Martigny; La Bâtiaz from the River Drance
1802
Joseph Mallord William Turner 1775–1851
Martigny; La Bâtiaz from the River Drance 1802
D04557
Turner Bequest LXXIV 64
Turner Bequest LXXIV 64
Pencil on greyish-buff laid paper, 212 x 284 mm
Stamped in black ‘LXXIV 64’ bottom right
Blind-stamped with the Turner Bequest monogram bottom right
Stamped in black ‘LXXIV 64’ bottom right
Blind-stamped with the Turner Bequest monogram bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.199, LXXIV 64, as ‘Martigny’.
1981
Andrew Wilton, in Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.39–9 note 20.
1984
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.111.
1990
Peter Bower, Turner’s Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1787–1820, exhibition catalogue, Tate Gallery, London 1990, pp.82–3 note 5.
Finberg listed this as one of 22 leaves from this sketchbook found ‘in a parcel labelled by Mr. Ruskin – “M. 16. Leaves of S. 229. Laid down.” They have been mounted on cartridge by Mr. Ruskin.’ Evidently, Ruskin isolated these drawings because they were pencil outlines, without the additions of chalk or gouache found elsewhere in the sketchbook.
This seems to be another version, with slightly different foreground and trees, of the subject drawn elsewhere in the sketchbook; in another outline (D04541; Turner Bequest LXXIV 48) and a more finished tonal treatment (D04552; Turner Bequest LXXIV 59). It is the only one of the three to have any previous identification as Martigny but as noted in this catalogue, the inscription on D04552 might offer further corroboration. See notes to the other drawings for the connection with a watercolour once in the collection of John Ruskin (Wolverhampton Art Gallery)1 whose original title is unrecorded2 but which Ruskin variously named ‘Italy of the Olden Time’, ‘Dark Pastoral’ and ‘Scene in Savoy’.
Verso:
Laid down
David Blayney Brown
September 2011
How to cite
David Blayney Brown, ‘Martigny; La Bâtiaz from the River Drance 1802 by Joseph Mallord William Turner’, catalogue entry, September 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www
