Joseph Mallord William Turner Mossdale Upper Falls, Wensleydale; Two Architectural Designs for ?Gate Lodges 1816
Joseph Mallord William Turner 1775–1851
Folio 37 Verso:
Mossdale Upper Falls, Wensleydale; Two Architectural Designs for ?Gate Lodges 1816
D11550
Turner Bequest CXLVIII 17
Turner Bequest CXLVIII 17
Pencil on white wove paper, 173 x 260 mm
Inscribed by Turner in pencil ‘2 35’ (presumably measurements connected with the drawing), ‘Pantry Room’
Inscribed by an unknown hand ‘176’, presumably in connection with some early exhibition of the verso (D11551; Turner Bequest CXLVIII 17a)
Stamped in black ‘CXLVIII 17’ bottom right
Inscribed by Turner in pencil ‘2 35’ (presumably measurements connected with the drawing), ‘Pantry Room’
Inscribed by an unknown hand ‘176’, presumably in connection with some early exhibition of the verso (D11551; Turner Bequest CXLVIII 17a)
Stamped in black ‘CXLVIII 17’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.427, CXLVIII 17, as ‘...stuck down tight, but contains a sketch’.
1969
John Gage, Colour in Turner: Poetry and Truth, London 1969, p.162.
1975
Malcolm Cormack, J.M.W. Turner, R.A. 1775–1851: A Catalogue of Drawings and Watercolours in the Fitzwilliam Museum, Cambridge, Cambridge 1975, p.44, no.16 as ‘Mossdale’ (and as belonging to Turner Bequest ‘CLXVII’).
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.84, no.133.
1982
Stanley Warburton, Turner and Dr. Whitaker, exhibition catalogue, Towneley Hall Art Gallery & Museums, Burnley 1982, no.57.
1984
David Hill, In Turner’s Footsteps: Through the Hills and Dales of Northern England, London 1984, pp.31 as ‘Moss Dale Fall, Wensleydale; Two Architectural Designs for ?Gate Lodges’, 52, 105, 127.
Apart from a few lines continuing, to the right, the sketch of Mossdale upper falls on folio 38 recto (D11549; Turner Bequest CXLVIII 16 now bound opposite), the main subjects here, inverted in relation to the sketch of Mossdale, are a plan and a perspective of the roof and front of a small building, possibly a gatehouse. At about this time Turner designed new gate lodges for Farnley Hall, the home of his Yorkshire patron Walter Fawkes.1 Drawings of the lodges occur in the Farnley sketchbook (Tate D12017–D12018, D12019–D12020; Turner Bequest CLIII 13a–14, 14a–15). John Gage associated the present designs with alterations to Turner’s Gallery at Harley Street and read the inscription as ‘Painting room’,2 but ‘Pantry’ is preferred here, and the building seems far too small to have any connection with Turner’s Harley Street house.
The sketch of Mossdale Falls is inverted in relation to the main sequence of subjects in the sketchbook. A fairly comprehensive reordering of this part of the book appears to be required. For further comment see notes to folio 33 verso (D11576; Turner Bequest CXLVIII 31a).
David Hill
May 2009
How to cite
David Hill, ‘Mossdale Upper Falls, Wensleydale; Two Architectural Designs for ?Gate Lodges 1816 by Joseph Mallord William Turner’, catalogue entry, May 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2013, https://www