Joseph Mallord William Turner Naples from the Sea, with the Marinella Waterfront 1819
Image 1 of 2
Joseph Mallord William Turner,
Naples from the Sea, with the Marinella Waterfront
1819
Joseph Mallord William Turner 1775–1851
Folio 5 Recto:
Naples from the Sea, with the Marinella Waterfront 1819
D15916
Turner Bequest CLXXXVI 5
Turner Bequest CLXXXVI 5
Pencil on white wove paper, 113 x 189 mm
Inscribed by ?John Ruskin in red ink ‘5’ top right and ‘245’ bottom left
Stamped in black ‘CLXXXVI 5’ bottom right
Stamped in black ‘CLXXXVI 5’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.551, as ‘Naples, with St. Elmo, from the sea’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.193 notes 97 and 100, reproduced pl.115, as ‘Naples from the sea’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.[85], [86] note 76, reproduced pl.87, as ‘Naples from the sea’.
1996
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, p.146 note 2.
As Finberg first identified, the sequence of sketches on folios 3 verso–12 (D15913–D15919 and D15922–D15930) represents detailed panoramic views of Naples drawn from the sea, perhaps dating from the outward or return trip to Paestum and the Amalfi coast which Turner undertook during his sojourn in the city.1 Visible in this study is the Marinella waterfront of Naples which lies along the shoreline between the old port and the Carmine castle. The composition continues on the opposite sheet of the double-page spread, see folio 4 verso (D15915).
The boat in the centre is a felucca, a wooden sailing vessel with a distinctive lateen or triangular sail. They were a popular mode of transport around the Italian coast and were a particularly common sight in Naples.2 Gillian Forrester has suggested that sketches like these may have informed the inspiration and composition for a later unpublished design for the Liber Studiorum, The Felucca (see Tate D08175; Turner Bequest CXVIII U).3
Nicola Moorby
July 2010
How to cite
Nicola Moorby, ‘Naples from the Sea, with the Marinella Waterfront 1819 by Joseph Mallord William Turner’, catalogue entry, July 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www
