?Philip Gilbert Hamerton, The Life of J. M. W. Turner, R.A., London 1879, p.186.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.258, pp.378, 622, as ‘The Portico of St Peter’s’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.562, as ‘The Portico of St. Peter’s. Water colour. 258, N.G.’.
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.87.
Laurence Binyon, English Water-Colours, 2nd edition, revised by Basil Gray, London 1944, p.116.
Edward Croft-Murray, Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, exhibition catalogue, National Gallery of Art, Washington DC 1963, no.19, pp.10, 17, reproduced [p.32], as ‘Rome, St. Peter’s and the Entrance to the Via della Sagrestia’.
Luke Herrmann, Turner: Watercolours Lent by the British Museum, exhibition catalogue, Musée Provisoire d’Art Moderne, Brussels 1970, no.16, p.17, as ‘‘Rome: St. Pierre et l’entrée de la Via della Sagrestia’.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, British Museum, London 1975, no.68 p.54, reproduced, as ‘Rome: The Portico of St Peter’s with the entrance to the Via della Sagrestia’.
John Sillevis, Nini Jonker and Hripsimé Visser, Turner 1775–1851, exhibition catalogue, Haags Gemeentemuseum, The Hague 1978, no.29, reproduced p.63 and in colour, p.87, as ‘De zuilengang van de St. Pieter in Rome’.
John Gage, Exposicion del gran pintor ingles, William Turner: Oleos y acuarelas: Collecciones de la Tate Gallery, British Museum y otros museos ingleses, exhibition catalogue, Museo de Arte Moderno, Mexico City 1979, no.28 reproduced [p.31], as ‘Roma, pórtico de San Pedro’.
John Gage and Ana T. de Gradowska, Oleos y acuarelas de Joseph Mallord William Turner, exhibition catalogue, Museo de Bellas Artes, Caracas, Venezuela 1979, no.BM 27, reproduced in colour [p.36], as ‘Roma, Portico de San Pedro’.
Andrew Wilton, Turner and the Sublime, exhibition catalogue, Art Gallery of Ontario, Toronto 1980, no.16, reproduced, pp.115 under no.17,  under no.82, as ‘Rome: The Portico of St Peter’s with the Entrance to the Via Sagrestia’.
Adele M. Holcomb, ‘Exhibition Review: “Turner and the Sublime” ’, Turner Studies, vol.3, no.1, Summer 1983, p.52.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.123, 472 note 8.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.37 note 7, 50, reproduced p., colour plate 7, as ‘The entrance to the Via della Sagrestia’.
Andrew Wilton, Turner in his Time, London 1987, p.122, reproduced p.123 pl.174, as ‘Rome: the Portico of St Peter’s and the Via della Sagrestia’.
Maurice Davies, Turner as Professor: The Artist and Linear Perspective, exhibition catalogue, Tate Gallery, London 1992, pp.74, 76, no.96 reproduced, as ‘The Portico of St Peter’s, Rome’.
Cecilia Powell, Italy in the Age of Turner: “The Garden of the World”, exhibition catalogue, Dulwich Picture Gallery, London 1998, p.50, no.27 reproduced in colour, as ‘The entrance to the via della Sagrestia, Rome’.
Stendhal, Viaggi in Italia illustrati dai Pittori del Romanticismo: Passeggiate Romane, Paris and Florence 2002, reproduced in colour, p.83, as ‘Il porticato di San Pietro’.
Andrew Wilton, Turner in his Time, revised ed., London 2006, p.123 reproduced fig.174, as ‘Rome: the Portico of St Peter’s and the Via della Sagrestia’.
Christopher Baker and James Hamilton, Turner és Itália, exhibition catalogue, Szépmuvészeti Múzeum, Budapest 2009, p.55, reproduced in colour, p.54, fig.56.