Joseph Mallord William Turner Pont-de-l'Arche ?1829
Image 1 of 2
Joseph Mallord William Turner,
Pont-de-l'Arche
?1829
Joseph Mallord William Turner 1775–1851
Folio 82 Recto:
Pont-de-l’Arche ?1829
D23860
Turner Bequest CCLIII 82
Turner Bequest CCLIII 82
Pencil on pale cream laid paper, 107 x 156 mm
Inscribed by John Ruskin in red ink ‘82’ top right ascending vertically
Stamped in black ‘CCLIII – 82’ top right ascending vertically
Inscribed by John Ruskin in red ink ‘82’ top right ascending vertically
Stamped in black ‘CCLIII – 82’ top right ascending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.771, CCLIII 82, as ‘Bridge, with town and church’.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.191, 276 under no.133.
The page contains a sketch, drawn horizontally, of a multi-arched bridge spanning a river, with a building on the right, and high hilly ground in the distance. Finberg noted it as ‘Bridge, with town and church’,1 but the location has been confirmed as Pont de l’Arche and Igoville.2 (For information on the two towns, see under folio 81 recto; D23858.)
The art historian Ian Warrell states3 that this (as well as folios 81 recto and verso, the verso of this page, and 84 recto; D23858–D23859, D23861–D23862) was used as a preliminary sketch for Turner’s later watercolour, Pont de l’Arche, c.1833 (Tate D24677; Turner Bequest CCLIX 112),4 which was engraved for Turner’s Annual Tour – Wanderings by the Seine, 1834 (Tate impressions: T04711, T05613, T06248).
The view would correspond to a view over Pont-de-l’Arche from the vantage point of Igoville. The medieval bridge depicted was destroyed and since replaced several times.5 The building at right would correspond to that of the Church Notre-Dame-des-Arts, in Pont-de-l’Arche.
Caroline South
May 2017
How to cite
Caroline South, ‘Pont-de-l’Arche ?1829 by Joseph Mallord William Turner’, catalogue entry, May 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www
