E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.592, pp.298, frame no.103, drawing no.223, 636, as ‘Rome from Monte Mario’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.563, as ‘Rome, from Monte Mario. Pencil and water colour. 592, N.G.’.
Alexander J. Finberg, Turner’s Sketches and Drawings, London 1910, p.92, reproduced pl.LI opposite p.93, as ‘Rome, from Monte Mario’.
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.88.
Thomas Ashby, Turner’s Visions of Rome, London and New York 1925, p.22, reproduced in colour between pp.10–11 pl.4, as ‘Rome from Monte Mario’.
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.383 under no.719.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.123 note 33, 223.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.50, 202 note 29, 106 and 205 note 9.
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, p.145 under no.52.