Joseph Mallord William Turner Sallanches and the River Arve, from the St Martin Road 1802
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Joseph Mallord William Turner,
Sallanches and the River Arve, from the St Martin Road
1802
Joseph Mallord William Turner 1775–1851
Folio 12 Recto:
Sallanches and the River Arve, from the St Martin Road 1802
D04604
Turner Bequest LXXV 12
Turner Bequest LXXV 12
Pencil, black and white chalk on white wove paper prepared with grey wash, 315 x 473 mm
Stamped ‘LXXV 12’ bottom left, descending vertically, and again bottom right
Stamped ‘LXXV 12’ bottom left, descending vertically, and again bottom right
Exhibition history
1879
Oxford Loan Collection, University Galleries, Oxford, 1879 until at least 1909 (44–194).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.201, LXXV 12, as ‘Sallanches’.
1974
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.48.
1976
John Russell and Andrew Wilton, Turner in Switzerland, Zurich 1976, p.135.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.343.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.59.
1981
Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.70, 72 reproduced Fig.128.
1992
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, p.52.
2000
David Hill, Joseph Mallord William Turner: Le Mont-Blanc et la Vallée d’Aoste, exhibition catalogue, Museo Archeologico Regionale, Aosta / Musée Archéologique Régional, Aoste 2000, pp.65, 271.
For St Martin and Sallanches in this sketchbook see notes to D04602; Turner Bequest LXXV 10. This view of Sallanches was made from the road beside the River Arve, looking south over the old town with the church and bridge in the middle distance and the Pointe Percée rising in the background on the right. It became the basis of a watercolour made for Walter Fawkes (private collection)1 which has been variously dated between 18052 and 18153 and is presumably the ‘St Martin’s brig’ [sic] cited in a list of Alpine subjects (verso of Tate D08253; Turner Bequest CXX m).4 The watercolour was shown as ‘St Martin and Salenche, Savoy’ in Fawkes’s exhibition of his collection at his town house at 45 Grosvenor Place in 1819.
Turner listed ‘Vale near St. Martin’ among subjects commissioned, in hand or ‘done’ at the front of his album of 1802 dawings (see Technical notes to the Grenoble sketchbook, Tate
Turner Bequest LXXIV).
Turner Bequest LXXIV).
A pencil drawing on a large separate sheet depicts the same subject (Tate D04891; Turner Bequest LXXIX Q).
Verso:
Blank
Inscribed by an unknown hand in pencil ‘248’
David Blayney Brown
November 2011
How to cite
David Blayney Brown, ‘Sallanches and the River Arve, from the St Martin Road 1802 by Joseph Mallord William Turner’, catalogue entry, November 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www