E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.212 no.59, as ‘The Cemetery and Church of St. Michele di Murano’, p.373 as no.60 [sic], ‘San Giorgio’, p.611 no.59, as ‘Venice: San Giorgio Maggiore’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1020, CCCXVI 24, as ‘San Giorgio Maggiore. Exhibited Drawings, No.59, N.G.’.
A.J. Finberg, In Venice with Turner, London 1930, p.174, as ‘S. Giorgio Maggiore’, 1835 or 1840.
Francis W. Hawcroft, Exhibition of Watercolours by J.M.W. Turner, exhibition catalogue, Whitworth Art Gallery, Manchester 1966, p.28 no.41, as ‘San Giorgio Maggiore, Venice’.
David Piper and Chisaburoh Yamada, English Landscape Painting of the 18th and 19th Centuries, exhibition catalogue, National Museum of Western Art, Tokyo 1970, p. no.100, as ‘San Giorgio Maggiore’, reproduced.
Kenneth Clark, Michael Kitson, John Gage and others, La Peinture romantique anglaise et les Préraphaélites, exhibition catalogue, Petit Palais, Paris 1972, p.306 no.303, as ‘Venise, San Giorgio Maggiore’.
John Gage, Turner and Watercolour: An Exhibition of Watercolours Lent from the Turner Bequest at the British Museum, exhibition catalogue, Herbert Art Gallery & Museum, Coventry 1974, reproduced p.39, p.46 no.38, as ‘Venice: San Giorgio Maggiore’, c.1833.
Andrew Wilton, Turner Watercolors: An Exhibition of Works Loaned by The Trustees of the British Museum, exhibition catalogue, Cleveland Museum of Art 1977, p.80 no.61, as ‘Venice: S. Giorgio Maggiore at Sunset’, 1840, reproduced in colour.
Lindsay Stainton, Turner’s Venice, London 1985, p.62 no.77, as ‘S. Giorgio Maggiore at sunset from the Hotel Europa’, ?1840, pl.77 (colour).
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, p.82 under no.68.
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, pp.104–5 no.59, as ‘The Cemetery and Church of St. Michelle di Murano (Venice: S. Giorgio Maggiore at Sunset from the Hotel Europa)’, 1840, reproduced in colour.
Andrew Wilton, Venise: Aquarelles de Turner, Paris 1995, reproduced in colour p. (cropped), as ‘Couche de soleil sur San Giorgio Maggiore vu de l’hôtel Europa’.
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.197, 199, 204, 259, 273 no.166, as ‘San Giorgio Maggiore at Sunset, from the Riva degli Schiavoni’, 1840, fig.217 (colour).
Sarah Taft in Katharine Lochnan, Luce Abélès, John House and others, TurnerWhistlerMonet, exhibition catalogue, Art Gallery of Ontario, Toronto 2004, p.226 no.100, as ‘Venice: San Giorgio Maggiore at Sunset, from the Riva degli Schiavoni’, 1840, reproduced in colour p.227.
Martin Schwander, Bożena Anna Kowalczyk, Ian Warrell and others, Venice: From Canaletto and Turner to Monet, exhibition catalogue, Fondation Beyeler, Riehen 2008, reproduced in colour p.86, p.220, as ‘San Giorgio Maggiore at Sunset, from the Riva degli Schiavoni’, 1840.