E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.280 no.113, 635 no.571(b), as ‘Moonlight, on Calm Sea’.
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.387 under no.801, ‘Shields Lighthouse’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.837, CCLXIII 308, as ‘Moonlight on calm sea’. Reverse : another colour study, but stuck down tight’ (see main catalogue entry).
Gerald Wilkinson, Turner’s Colour Sketches 1820–34, London 1975, reproduced p.155 (colour; cropped ‘to avoid some distracting blots’), as ‘Moonlight on a calm sea’.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.389 no.771, reproduced, as circa 1825.
Andrew Wilton, Turner and the Sublime, exhibition catalogue, Art Gallery of Ontario, Toronto 1980, p.160 under no.76.
Andrew Wilton, in John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, p.232 under no.163.
[Andrew Wilton], The Turner Collection in the Clore Gallery: An Illustrated Guide: Published to Celebrate the Opening of the Gallery by Her Majesty The Queen, 1 April 1987, London 1987, p.114, reproduced in colour, p. detail, p.115 cropped.
Andrew Wilton, Turner Watercolours in the Clore Gallery, London 1987, pl.36 (colour).
Marcel-Etienne Dupret, ‘Turner’s Little Liber’, Turner Studies, vol.9, no.1, Summer 1989, p.36 under no.3.
Anne Lyles and Diane Perkins, Colour into Line: Turner and the Art of Engraving, exhibition catalogue, Tate Gallery, London 1989, reproduced p.17 colour, cropped, p.59 no. 49, reproduced (cropped), as circa 1826.
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, p.149.
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, p.38 under no.22.
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.98 under ‘“Liber Studiorum” and “Little Liber” Series’, as ‘Study for “Shields Lighthouse”’, 100 under ‘Moonlight Depictions’.
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, p.81.
David Blayney Brown, Turner in the Tate Collection, pl.74 (colour).
Ian Warrell, in Katharine Lochnan, Luce Abélès, John House and others, TurnerWhistlerMonet, exhibition catalogue, Art Gallery of Ontario, Toronto 2004, pp.82–3 no.6, reproduced (colour, cropped), as ‘CCLXIII 308 (a)’, circa 1823–5.
David Blayney Brown, Turner Watercolours, exhibition catalogue, Tate Britain, London 2007, reproduced p.65 (colour), as circa 1826.