Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of Diana, a Sculpture of a Sleeping Eros, and a Relief of Wrestlers 1819
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Joseph Mallord William Turner, Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of Diana, a Sculpture of a Sleeping Eros, and a Relief of Wrestlers 1819
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Joseph Mallord William Turner, Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of Diana, a Sculpture of a Sleeping Eros, and a Relief of Wrestlers 1819 (Enhanced image)Enhanced image
Joseph Mallord William Turner,
Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of Diana, a Sculpture of a Sleeping Eros, and a Relief of Wrestlers
1819
Joseph Mallord William Turner 1775–1851
Folio 52 Verso:
Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of Diana, a Sculpture of a Sleeping Eros, and a Relief of Wrestlers 1819
D15205
Turner Bequest CLXXX 51 a
Turner Bequest CLXXX 51 a
Pencil on white wove paper, 161 x 101 mm
Inscribed by the artist in pencil (see main catalogue entry)
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.533, as ‘Figures, vases, &c. The two rows of figures at the bottom represent Castor and Pollux. See Visconti, xliv., vol. iv., including Nos. “1587”, “1607”, and “1612” ’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.476 note 8.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.51 note 6.
During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). This page includes sketches of objects found in the Museo Pio-Clementino. The studies are numbered from top left to bottom right:
a.
The sketch in the top right-hand corner depicts an cylindrical urn, possibly the cineraria of Publius Cicereius Cotilio.1 The object can be found in the second bay of the Galleria dei Candelabri (Gallery of Candelabra, formerly known as the Galleria delle Miscellanee).
b.
The subject of the central sketch at the top is a statue of Diana with a dog, found in the Galleria dei Candelabri.2 Turner has annotated the drawing with the number ‘1587’.
c.
The subject of the sketch in the top right-hand corner is a sculptural group comprising three separate elements: a cylindrical vase with a Bacchic relief; a cylindrical base; and the lower part of a candelabrum decorated with acanthus leaves.3 The group can be found in the fourth bay of the Galleria dei Candelabri. Turner has annotated the drawing with the number ‘1607’.
d.
The sketch on the left-hand side of the centre of the page depicts a statue of a sleeping Eros, also found in the fourth bay of the Galleria dei Candelabri.4 Turner has annotated the drawing with the number ‘1612’.
e.
The sketch second from bottom left depicts a three legged table found in the second bay of the Galleria dei Candelabri.5 The legs of the table are in the form of protome (a frontal view of an animal or human bust) of Hercules.
f.
The sketch second from bottom right depicts a three-legged table with the legs in the form of protome of lions.
g.
The central bottom sketch depicts two tragic masks, part of a sculptural relief from a column base found in the second bay of the Galleria dei Candelabri.6
h.
The sketch in the bottom right-hand corner depicts a relief with wrestlers. The object is also found in the second bay of the Galleria dei Candelabri.7
The sketch in the top right-hand corner depicts an cylindrical urn, possibly the cineraria of Publius Cicereius Cotilio.1 The object can be found in the second bay of the Galleria dei Candelabri (Gallery of Candelabra, formerly known as the Galleria delle Miscellanee).
b.
The subject of the central sketch at the top is a statue of Diana with a dog, found in the Galleria dei Candelabri.2 Turner has annotated the drawing with the number ‘1587’.
c.
The subject of the sketch in the top right-hand corner is a sculptural group comprising three separate elements: a cylindrical vase with a Bacchic relief; a cylindrical base; and the lower part of a candelabrum decorated with acanthus leaves.3 The group can be found in the fourth bay of the Galleria dei Candelabri. Turner has annotated the drawing with the number ‘1607’.
d.
The sketch on the left-hand side of the centre of the page depicts a statue of a sleeping Eros, also found in the fourth bay of the Galleria dei Candelabri.4 Turner has annotated the drawing with the number ‘1612’.
e.
The sketch second from bottom left depicts a three legged table found in the second bay of the Galleria dei Candelabri.5 The legs of the table are in the form of protome (a frontal view of an animal or human bust) of Hercules.
f.
The sketch second from bottom right depicts a three-legged table with the legs in the form of protome of lions.
g.
The central bottom sketch depicts two tragic masks, part of a sculptural relief from a column base found in the second bay of the Galleria dei Candelabri.6
h.
The sketch in the bottom right-hand corner depicts a relief with wrestlers. The object is also found in the second bay of the Galleria dei Candelabri.7
Turner’s annotations presumably relate to exhibit numbers displayed on the individual works. However, they do not appear to correspond to any known lists published within contemporary guide books or catalogues of the Vatican collections.
Nicola Moorby
November 2009
Georg Lippold, Die Skulpturen des Vaticanischen Museums, vol.III, no.2, Berlin 1956, no.79, p.213, reproduced pl.101 and Giandomenico Spinola, Il Museo Pio-Clementino, vol.II, Vatican City 1999, no.GCII 79, p.171, reproduced fig.20.
See http://sights.seindal.dk/photo/9142,s1034f.html >, accessed November 2009. See Lippold 1959, no.106, p.363 reproduced pl.156.
Georg Lippold, Die Skulpturen des Vaticanischen Museums, vol.III, no.2, Berlin 1956, nos.97–99, pp.355–8, reproduced pls.154 and 156, and Spinola 1999, nos.GCSIV 97–99, pp.283–6, reproduced figs.30 and 3.
Lippold 1956, no.107, p.364, reproduced pl.155, and Spinola 1999, no.GCSIV 107, pp.290–1, reproduced fig.31.
How to cite
Nicola Moorby, ‘Studies of Sculptural Fragments from the Vatican Museums, Including a Statue of Diana, a Sculpture of a Sleeping Eros, and a Relief of Wrestlers 1819 by Joseph Mallord William Turner’, catalogue entry, November 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www