W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.182 under no.79, as ‘Vaughan bequest’ in error.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.633 no.516, as ‘Ploughing at Eton’, 645.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.315, CXV 47, as ‘Ploughing at Eton. (Query Lincoln Cathedral in background.)’, circa 1809–10.
Liber Studiorum: J.M.W. Turner: Miniature Edition Containing Reproductions (I.) from First Published State of the Seventy-One Published Plates, and (II.) of the Original Drawings for, or Engraver’s Proofs of, All the Unpublished Plates as the Artist Left Them, London and Glasgow 1911, reproduced p.95 no.79 (cropped).
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.4.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p. cropped, p.317 under no.79.
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, p.111, as ‘Ploughing at Eton Query Lincoln Cathedral in background’, reproduced p.120.
Gerald Wilkinson, Turner Sketches 1789–1820, London 1977, reproduced p.124.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.15, 24 note 77, pp.29, 34, 137, reproduced p.142, pp.143 no.79i, 161.