E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume I: Early Prose Writings 1834–1843, London 1903, pp.233, 244.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.380–1.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XXI: The Ruskin Art Collection at Oxford, London 1906, p.214.
A.J. Finberg, A Complete Inventory of the Drawings in the Turner Bequest, London 1909, vol.II, p.903, as ‘The Alps at daybreak’.
Adele Holcomb, ‘J.M.W. Turner’s Illustrations to the Poets’, unpublished Ph.D thesis, University of California, Los Angeles 1966, pp.79, 82, 83, 88–9, 98, 105–6, 189, reproduced fig.42.
Adele Holcomb, ‘The Vignette and the Vortical Composition in Turner’s Oeuvre’, Art Quarterly, vol.32, no.1, 1970, pp.23–4, 26, reproduced fig.10.
Mordechai Omer, Turner and the Poets: Engravings and Watercolours from his Later Period, exhibition catalogue, Marble Hill House, Twickenham 1975, [pp.7–8].
Andrew Wilton, Turner und die Schweiz, exhibition catalogue, Kunsthaus, Zürich 1976, p.13 no.37.
Andrew Wilton, Turner Watercolors: An Exhibition of Works Loaned by The Trustees of the British Museum, exhibition catalogue, Cleveland Museum of Art 1977, p.70 no.51, reproduced.
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.443 no.1199, reproduced.
Cecilia Powell, ‘Turner’s vignettes and the making of Rogers’ “Italy” ’, Turner Studies, vol.3, no.1, Summer 1983, p.10.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.291 note 93.
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, no.11, pp.11, 13, 49 reproduced, 50.
Jan Piggott, Turner’s Vignettes, exhibition catalogue, Tate Gallery, London 1993, pp.84 no.20 reproduced, 97, reproduced colour p.75 pl.16.
David Blayney Brown, Yasuhide Shimbata and Hideko Numata, J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, pp.37, 123 no.64, reproduced (colour).
David Blayney Brown, Klaus Albrecht Schröder, Evelyn Benesch and others, Joseph Mallord William Turner, exhibition catalogue, Bank Austria Kunstforum, Vienna 1997, pp.36, 258 no.73, reproduced (colour).
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, pp.16, 43, 179, 184, 186 no no.77, reproduced (colour).