E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.210, 373, 611 no.51, as ‘The Approach to Venice. Sunset’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1019, CCCXVI 16, as ‘The Approach to Venice: Sunset. Exhibited Drawings, No.51, N.G.’.
Alexander J. Finberg, Turner’s Sketches and Drawings, London 1910, p.132, pl.LXXIX, as ‘Approach to Venice: Sunset’, c.1839.
A.J. Finberg, In Venice with Turner, London 1930, pp.126, 174, as ‘The Approach to Venice. Sunset’, 1840, pl.XXIII.
John Rothenstein and Martin Butlin, Turner, London 1964, pl.114(b), as ‘Approach to Venice: Sunset’, 1840.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, pp.138 under no.228, 142 under no.239, 142–3 no.241, as ‘The approach to Venice: Sunset’, 1840, reproduced.
Andrew Wilton, Turner Watercolors: An Exhibition of Works Loaned by The Trustees of the British Museum, exhibition catalogue, Cleveland Museum of Art 1977, p.81 under no.62.
Eric Shanes, Turner’s Human Landscape, London 1990, pp.93, 356 note 23.
Lindsay Stainton, Turner’s Venice, London 1985, p.60 no.70, as ‘The approach to Venice: sunset’, ?1840, pl.70 (colour).
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, p.95 no.51, as ‘The Approach to Venice. From the land side, before the railroad bridge was built’, 1840, reproduced in colour.
Andrew Wilton, Venise: Aquarelles de Turner, Paris 1995, reproduced in colour p.59, as ‘Couche de soleil sur Venise’.
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.238–9, 259, 273 no.149, as ‘The Approach to Venice’, 1840, fig.262 (colour).
Ian Warrell, Cecilia Powell and David Laven, Turner i Venècia, exhibition catalogue, Fundació ”la Caixa”, Barcelona 2005, p.180 no.111, as ‘Apropant-se a Venècia’, 1840, reproduced in colour.
Ian Warrell ed., Turner from the Tate: The Making of a Master, exhibition catalogue, Art Gallery of South Australia, Adelaide 2013, reproduced in colour p.214, p.215 no.115, as ‘The Approach to Venice’, 1840, reproduced in colour.
Ian Warrell ed., Turner from the Tate: The Making of a Master, exhibition catalogue, Tokyo Metropolitan Art Museum 2013, p.183 no.98, as ‘The Approach to Venice’, 1840, reproduced in colour.
Nicola Moorby in David Blayney Brown, Amy Concannon and Sam Smiles (eds.), Late Turner: Painting Set Free, exhibition catalogue, Tate Britain, London 2014, p.118 under no.66.