Joseph Mallord William Turner The Arch of Trajan, Arco Clementino and Lighthouse along the Pier at Ancona 1819
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Joseph Mallord William Turner,
The Arch of Trajan, Arco Clementino and Lighthouse along the Pier at Ancona
1819
Joseph Mallord William Turner 1775–1851
Folio 77 Recto:
The Arch of Trajan, Arco Clementino and Lighthouse along the Pier at Ancona 1819
D14629
Turner Bequest CLXXVI 73
Turner Bequest CLXXVI 73
Pencil on white wove paper, 111 x 184 mm
Partial watermark ‘Allnutt | 18’
Inscribed by Turner in pencil ‘[...] | DACCO PO [...] | [... ?QR access]’ towards top right, on arch
Inscribed by John Ruskin in red ink ‘73’ bottom right (now faint)
Stamped in black ‘CLXXVI – 73’ bottom right
Partial watermark ‘Allnutt | 18’
Inscribed by Turner in pencil ‘[...] | DACCO PO [...] | [... ?QR access]’ towards top right, on arch
Inscribed by John Ruskin in red ink ‘73’ bottom right (now faint)
Stamped in black ‘CLXXVI – 73’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.519, CLXXVI 73, as ‘Triumphal arches at Ancona’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.92, 466 note 109.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.25, 202 note 45.
1997
James Hamilton, Turner: A Life, London 1997, pp.198, 325 note 13.
The Turner scholar C.F. Bell annotated Finberg’s 1909 Inventory entry (‘Triumphal arches at Ancona’), crossing out the curly bracket (usually an indication of a continuous view) linking this page with folio 76 verso opposite (D14628; Turner Bequest CLXXVI 72a); the two drawings are indeed separate, albeit showing different aspects of the same arch. Bell gave the present page a variant title: ‘Arch of Trajan from the East’.1
The viewpoint is the Banchina immediately south-east of the Arch of Trajan, looking west along the broad pier to the Arco Clementino, which has since lost its upper storey on this side, and the lighthouse, only the base of which survives, supporting a coastguard station. Today the monuments are somewhat marooned in a heavily developed area of the port, though the section of heavily articulated harbour wall between them and on this side of the Arch of Trajan remains; the tower between the arches has gone.
Turner’s careful drawing includes indications of the Latin inscription over the arch. The incised letters, originally inset with bronze, are unevenly weathered, and of the seven-line text he has only picked out part of the third, which begins ‘DACICO.PONT.MAX.’, and apparently attempted parts of the fifth (‘SENATVS.P.Q.R.QVOD.ACCESSVM’).
Matthew Imms
March 2017
How to cite
Matthew Imms, ‘The Arch of Trajan, Arco Clementino and Lighthouse along the Pier at Ancona 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www
