John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.117 (as ‘Battle of Fort Bard, Val d’Aosta, Piedmont, January 22, 1794’).
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 , p.390 (as ‘Battle of Fort Bard, Val d’Aosta, 1800’).
Turner’s Celebrated Landscapes: Sixteen of the Most Important Works of J.M.W. Turner, R.A. Reproduced from the Large Engravings in Permanent Tint by the Autotype Press, London 1870, pp.37, 39, 101 reproduced no.123.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, Revised with 8 Coloured Illustrations after Turner’s Originals and 2 Woodcuts, London 1897, p.586.
C[harles] F[rancis] Bell, A List of the Works Contributed to Public Exhibitions by J.M.W. Turner, R.A., London 1901, p.49 under no.73.
E.T. Cook (ed.), Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged, vol.I, London 1902, pp.229, 421, as ‘Battle of Fort Rock’.
Charles Holme (ed.), Robert de la Sizeranne, Walter Shaw Sparrow and others, The Genius of J.M.W. Turner, R.A., London, Paris and New York 1903, pp.ii–iii.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.82, 246, 268, 278, 366, 422, 635.
A[lexander] J. Finberg, The English Water Colour Painters, London and New York , p.91.
W[illiam] L[ionel] Wyllie, J.M.W. Turner, London 1905, pp.63–4.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.213, LXX G.
Harry Townend, J.M.W. Turner 1775–1851, Master-Painters of the World, London 1923, p.48.
Kenelm Foss, The Double Life of J.M.W. Turner, London 1938, p.125.
Bryan Robertson and Sir John Rothenstein, J.M.W. Turner R.A. 1775–1851: An Exhibition of Pictures from Public and Private Collections in Great Britain, exhibition catalogue, Whitechapel Art Gallery, London 1953, p.16 under no.78.
Alexander J. Finberg, The Life of J.M.W. Turner, R.A. Second Edition, Revised, with a Supplement, by Hilda F. Finberg, revised ed., Oxford 1961, pp.218–9, 476 no.190.
Edward Croft-Murray, Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, exhibition catalogue, National Gallery of Art, Washington DC 1963, pp.9, 31 reproduced.
John Gage, ‘Turner and the Picturesque – 1’, The Burlington Magazine, vol.107, January 1965, p.21.
Malcolm Cormack, J.M.W. Turner, R.A. 1775–1851: A Catalogue of Drawings and Watercolours in the Fitzwilliam Museum, Cambridge, Cambridge 1975, p.35 note 2.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, pp.47, 68–9 reproduced in colour.
John Russell and Andrew Wilton, Turner in Switzerland, Zurich 1976, pp.25, 136.
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, pp.103 reproduced in colour pl.105, 104, 345 no.399.
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.60.
Andrew Wilton, Turner and the Sublime, exhibition catalogue, Art Gallery of Ontario, Toronto 1980, pp.63 reproduced in colour, 116, 140, 165, 175.
John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, pp.185–6 reproduced.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.317.
John Gage, J.M.W. Turner ‘A Wonderful Range of Mind’, New Haven and London 1987, pp.88, 248 note 35.
Andrew Wilton, Turner in his Time, London 1987, p.125.
Andrew Wilton, The Turner Collection in the Clore Gallery: An Illustrated Guide: Published to Celebrate the Opening of the Gallery by Her Majesty the Queen, 1 April 1987, London 1987, pp.100, 110–11 reproduced in colour.
Andrew Wilton, Turner Watercolours in the Clore Gallery, London 1987, pp.64–5 reproduced in colour pl.25.
David Blayney Brown, The Art of J.M.W. Turner, London 1990, pp.129, 154 reproduced in colour, 155.
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, pp.18 reproduced in colour, 33 reproduced, 34.
Andrew Wilton and Rosalind Mallord Turner, Painting and Poetry: Turner’s ‘Verse Book’ and his Work of 1804–1812, exhibition catalogue, Tate Gallery, London 1990, pp.65, 66 reproduced in colour, 145 reproduced.
Peter Bower, Turner’s Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1787–1820, exhibition catalogue, Tate Gallery, London 1990, p.91 reproduced fig.18.
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, pp.75, 77 reproduced in colour, 131,161.
Ian Warrell, J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, exhibition catalogue, Centre Cultural de la Fundació ”la Caixa”, Barcelona 1993, pp.90–1 reproduced in colour.
Ian Warrell, J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, exhibition catalogue, Palais des Beaux-Arts de Charleroi 1994, pp.92–3 reproduced in colour.
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.19, 20, 124–5 reproduced in colour.
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.19, 20, 124–5 reproduced in colour.
David Hill, Joseph Mallord William Turner: Le Mont-Blanc et la Vallée d’Aoste, exhibition catalogue, Museo Archeologico Regionale, Aosta / Musée Archéologique Régional, Aoste, 2000, pp.77, 282.
Eric Shanes, ‘Identifying Turner’s Chamonix water-colours’, The Burlington Magazine, vol.142, no.1172, November 2000, pp.691 reproduced in colour, 693.
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, pp.90 reproduced in colour, 91.
A.G.H. Bachrach, ‘Napoleonic Wars (1793–1815)’, in Evelyn Joll, Martin Butlin and Luke Herrmann eds., The Oxford Companion to J.M.W. Turner, Oxford 2001, p.197.
Barry Venning, ‘Subject Matter, Importance for Turner’, in Oxford Companion, p.316.
Andrew Wilton, ‘Alps’, in Oxford Companion, p.5, as ‘LXXX g’.
Andre Wilton, ‘Switzerland’, in Oxford Companion, p.324.
David Blayney Brown, Turner in the Tate Collection, London 2002, pp.100 reproduced in colour, 101.
Lawrence Gowing, ‘Turner’s First Continental Tour in 1802’, Turner Society News, no.91, August 2002, pp.11, 12 note 50; reprint of 1975 lecture.
Timothy Wilcox and Charles Nugent, The Triumph of Watercolour: The Early Years of the Royal Watercolour Society 1805–1850, exhibition catalogue, Dulwich Picture Gallery, London 2005, pp.82, 86 reproduced in colour.
David Blayney Brown, Turner Watercolours, London 2007, pp.12, 13 reproduced in colour Fig.4.
Ian Warrell (ed.), Franklin Kelly and others, J.M.W. Turner, exhibition catalogue, National Gallery of Art, Washington 2007, pp.54–5 reproduced in colour.
David Blayney Brown, in Alison Smith and others, Watercolour, exhibition catalogue, Tate Britain, London 2011, pp.106, 114 reproduced in colour.