E.T. Cook, Hidden Treasures of the National Gallery. A Selection of Studies and Drawings by J.M.W. Turner, R.A. Now Published for the First Time. With Some Account of Them. With a Sketch of Turner’s Life, and Reproductions of a Number of his Finished Works, London 1905, reproduced p.68, as ‘Venetian Towers’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1017, CCCXVI 3, as ‘“From my Bedroom, Venice,” with Campanile of San Marco in distance’.
A.J. Finberg, In Venice with Turner, London 1930, p.173, as ‘The Towers of S. Maurizio, S. Moisè and S. Mark’s, from the Hotel Europa: Sunset. Inscribed “From my Bedroom, Venice.”’ 1840.
Henri Verne, Laurence Binyon and Louis Gillet, La Peinture anglaise: XVIIIe & XIXe siècles, exhibition catalogue, Louvre, Paris 1938, pp.137–8 no.245, as ‘Venise, vue prise de la chamber de l’artiste’, c.1839.
Jonathan Mayne and John Woodward, An Exhibition of English Drawings and Water Colors from British Collections, Sponsored by the English-Speaking Unions of the United States and the British Commonwealth, exhibition catalogue, National Gallery of Art, Washington 1962, p.41 no.89, as ‘“From my Bedroom, Venice”’.
Edward Croft-Murray, Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, exhibition catalogue, National Gallery of Art, Washington, DC 1963, p.21 no.61, as ‘Venice, “From my Bedroom” in the Hotel Europa; with the Campanile on the Right, the Church of S. Moisè in the Foreground, and the Campanile of the Frari (?) in the Distance, Left’, 1840, reproduced p..
Luke Herrmann, Turner: Watercolours Lent by the British Museum, exhibition catalogue, Musée Provisoire d’Art Moderne, Brussels 1970, p.23 no.77, as ‘“From my bedroom” (de ma chambre), Venise’, 1840.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, pp.136–7 no.224, as ‘Venice: View over roofs from the Hotel Europa, with the towers of S. Maurizio, S. Moisè and S. Marco’, 1840, reproduced.
Dennis Farr, Lindsay Errington, James White and others, La Peinture britannique de Gainsborough à Bacon, exhibition catalogue, Galerie des Beaux-Arts, Bordeaux 1977, p.137 no.141, as ‘Venise: Vue sur les toits depuis l’hôtel Europa, avec les clochers de Saint-Maurice, Saint-Moïse et le Campanile de Saint-Marc’, 1840, reproduced.
Timothy Clifford, Търнър, exhibition catalogue, Shipka Gallery, Sofia, Bulgaria 1978, p. no.59, as ‘CCXVI – 3’, reproduced in colour across covers.
Dimitrios Papastamos, John Gage and Lindsay Stainton, J.M.W. Turner (1775–1851) / ΤΖ.Μ.Γ. Τερνερ (1775–1851), exhibition catalogue, National Pinakothiki, Athens 1981, pp.43, 136, 141 no.55, as ‘CCXVI – 3’, ‘Venice: view over roofs from the hotel Europa, with the towers of St Maurizio, St Moisé and St Marco’, 1840, reproduced in colour p.138.
Andrew Wilton in John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, p.233 no.231, as ‘Venise: vue sur les toits, de l’hôtel Europa, avec les tours de S. Maurizio, de S. Moise and de S. Marco’, 1840, reproduced.
Lindsay Stainton, Turner’s Venice, London 1985, p.56 no.56, as ‘From my Bedroom’, ?1840, pl.56 (colour).
Robert Upstone, Turner: The Final Years: Watercolours 1840–1851, exhibition catalogue, Tate Gallery, London 1993, reproduced in colour p.26, p.36 no.6, as ‘Venice: from Hotel Europa’, reproduced.
Andrew Wilton, Venise: Aquarelles de Turner, Paris 1995, reproduced in colour pp.84– (cropped), as ‘Vue d’une chamber vénetienne’.
James Hamilton, Turner: A Life, London 1997, p.287.
Andrew Wilton, Inge Bodesohn-Vogel and Helena Robinson, William Turner: Licht und Farbe, exhibition catalogue, Museum Folkwang, Essen 2001, reproduced in colour p.177, p.326 no.106, as ‘View over Roofs from the Hotel Europa’, 1840.
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.24, 138, 259, 273 no.150, as ‘Looking north from the Hotel Europa, with the Campaniles of San Marco, San Moise, and Santo Stefano’, 1840, fig.144 (colour).
Ian Warrell, Cecilia Powell and David Laven, Turner i Venècia, exhibition catalogue, Fundació ”la Caixa”, Barcelona 2005, p.120 no.50, as ‘Vista vers el nord des d’hotel Europa, am bels campanars de San Marco, San Moise i Santo Stefano’, 1840, reproduced in colour.
Andrew Wilton, Turner in his Time, revised ed., London 2006, p.186, as ‘Venice: looking north from the Hotel Europa, with the Campaniles of San Marco, San Moise and Santo Stefano’, 1840’, reproduced in colour.
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pl.78 (colour), as ‘Venezia. Guardando verso nord dall’albergo Europa con i campinili di San Marco, San Moisè e Santo Stefano’, 1840.
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, p.144, as ‘Venice: Looking North from the Hotel Europa, with the Campaniles of San Marco, San Moise and Santo Stefano’, 1840, pl.104 (colour).