E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.265, pp.378, 622, as ‘The Coliseum in pale sunset, with new moon’ and ‘Rome: Interior of the Colosseum’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.562, as ‘Interior of the Colosseum. Water colour. 265, N.G.’.
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.87.
Kenneth Clark, Michel Florisoone, Geoffrey Grigson and others, The Romantic Movement: Fifth Exhibition to Celebrate the Tenth Anniversary of the Council of Europe, exhibition catalogue, Tate Gallery and Arts Council Gallery, London 1959, no.444, pp.364–5, as ‘The Colosseum by Moonlight’.
Andrew Wilton, Classical Sites and Monuments, exhibition catalogue, British Museum, London 1971, no.65, [p.16], as ‘Interior of the Colosseum by Moonlight’.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, British Museum, London 1975, no.70, p.54, reproduced, as ‘The interior of the Colosseum: Moonlight’.
Andrew Wilton, Turner and the Sublime, exhibition catalogue, Art Gallery of Ontario, Toronto 1980, no.17, p.115, reproduced in colour pl.9, as ‘Rome: the Interior of the Colosseum: Moonlight’.
Andrew Wilton, Turner Abroad: France; Italy; Germany; Switzerland, London 1982, pp.23–4, reproduced p.24, as ‘Rome: the Colosseum by moonlight’.
Adele M. Holcomb, ‘Exhibition Review: “Turner and the Sublime” ’, Turner Studies, vol.3, no.1, Summer 1983, p.52.
John Gage, J.M.W. Turner: ‘A Wonderful Range of Mind’, New Haven and London 1987, p.60.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.43, 122, reproduced pl.68, as ‘The Colosseum by moonlight’.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.16, 49, reproduced p.10 colour pl.2, as ‘The Colosseum by moonlight’.
Ian Warrell, ‘Appendix to the Paintings in the Catalogue’, Italy by Moonlight. The Night in Italian Painting 1550–1850, exhibition catalogue, Ashmolean Musem, Oxford, London Accademia Italiana Delle Arte e Delle Arti Applicate, London and Rome 1990, [p.5], reproduced [p.6].
David Blayney Brown, Turner and Byron, exhibition catalogue, Tate Gallery, London 1992, no.103, pp.59, 129 reproduced, and in colour, p.72 as ‘The Colosseum by Moonlight’.
Jörg Garms, Vedute di Roma Dal Medioevo all’ottocento: Atlante iconographico, topografico, architettorio, Naples 1995, p.204, reproduced in colour pl.112, p.117.
Chloe Chard, ‘Crossing Boundaries and Exceeding Limits: Destabilization, Tourism, and the Sublime’, in Chloe Chard and Helen Langdon, Transports: Travel, Pleasure, and Imaginative Geography, 1600–1830, New Haven and London 1996, reproduced fig.46, p.142, as ‘Coliseum by Moonlight’.
Michael Liversidge and Catherine Edwards, Imagining Rome: British Artists and Rome in the Nineteenth Century, exhibition catalogue, City Museum and Art Gallery, Bristol 1996, p.77, reproduced in colour, p.21 fig.6, as ‘The Colosseum by moonlight’.
Cecilia Powell, Italy in the Age of Turner: “The Garden of the World”, exhibition catalogue, Dulwich Picture Gallery, London 1998, pp.33, 81, no.16 reproduced in colour (detail) p., as ‘The Colosseum by moonlight’.
Eric Shanes, ‘Letter to the Editor’, in Turner Society News, no.80, December 1998, p.4.
Eric Shanes, ‘Letters to the Editor’, in Turner Society News, no.81, March 1999, p..
Barry Venning, Turner, Art & Ideas, London 2003, pp.156, 159–, reproduced in colour, p. fig.93.
Helen Dorey, John Soane & JMW Turner: Illuminating a Friendship, exhibition catalogue, Sir John Soane’s Museum, London 2007, p.6.
Sophie Thomas, Romanticism and Visuality: Fragments, History, Spectacle, New York and London 2007, p.87, reproduced fig.4.4, as ‘The Colosseum by Moonlight’.
Nicola Moorby, ‘Un tesoro italiano: i taccuini di Turner’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.102, 105 note 31.
Nicola Moorby, ‘An Italian Treasury: Turner’s sketchbooks’, in James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.115, 155 note 32.
Anna Poznanskaya, Ian Warrell, Mathew Imms and others, ¿¿¿¿¿¿ [Turner], Pushkin Museum of Art, Moscow 2008, no.68, p.117, reproduced in colour, as ‘The Colosseum by Moonlight’ [incorrectly as CLXXXIX 3].
Fan Di’an, Ian Warrell, Matthew Imms and others, Turner from the Tate Collection, exhibition catalogue, National Art Museum of China, Beijing 2009, no.68, p.107, reproduced in colour, p.109, as ‘The Colosseum by Moonlight’.