A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1024, CCCXVII 16, as ‘The Dogana and Salute’.
A.J. Finberg, In Venice with Turner, London 1930, p.175, as ‘The Dogana and Salute’, 1835 or 1840.
Andrew Wilton in Martin Butlin, Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.160 under no.582, as probably 1840.
Andrew Wilton, Turner Watercolours in the Clore Gallery, London 1987, p.134 no.60, as ‘Venice: the Salute and Dogana’, 1840, pl.60 (colour).
Andrew Wilton, Turner Watercolours in the Clore Gallery, 2nd ed., London 1988, p.134 no.60, as ‘Venice: the Salute and Dogana’, 1840, pl.60 (colour).
Robert Upstone, Turner: The Final Years: Watercolours 1840–1851, exhibition catalogue, Tate Gallery, London 1993, p.37 no.10, as ‘Venice: the Dogana and the Salute’, 1840, reproduced.
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.215, 235, 259, 272 no.125, as ‘The Dogana and the Salute, with the Entrance to the Grand Canal, at Twilight’, 1840, fig.231 (colour).
Ian Warrell, Cecilia Powell and David Laven, Turner i Venècia, exhibition catalogue, Fundació ”la Caixa”, Barcelona 2005, p.164 no.95, as ‘La Dogana i la Salute, amb l’entrada del Gran Canal, al capvespre’, 1840, reproduced in colour.