E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume I: Early Prose Writings 1834–1843, London 1903, pp.233, 244.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.380–1.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XXI: The Ruskin Art Collection at Oxford, London 1906, p.214.
A.J. Finberg, A Complete Inventory of the Drawings in the Turner Bequest, London 1909, vol.II, p.901, as ‘Rome’.
Adele Holcomb, ‘J.M.W. Turner’s Illustrations to the Poets’, unpublished Ph.D thesis, University of California, Los Angeles 1966, pp.53–5, reproduced fig.19.
Adele Holcomb, ‘A Neglected Classical Phase in Turner’s Art: his vignettes to Rogers’s Italy,’ Journal of the Warburg and Courtauld Institutes, vol.32, 1969, p.408, reproduced pl.70a.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, no.276, as ‘The Roman Forum’.
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.439 no.1167, reproduced.
Cecilia Powell, ‘Turner’s vignettes and the making of Rogers’s “Italy” ’, Turner Studies, vol.3, no.1, Summer 1983, pp.7–8, reproduced fig.7.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.286, reproduced pl.81.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p., 136 reproduced fig.142.
Ian Warrell and Diane Perkins, Turner & Architecture, exhibition catalogue, Tate Gallery, London 1988, p.18 no.39, reproduced.
Luke Herrmann, Turner Prints: The Engraved work of J.M.W. Turner, Oxford 1990, p.185.
Jan Piggott, Turner’s Vignettes, exhibition catalogue, Tate Gallery, London 1993, pp.36–7, 97.
Michael Liversidge and Catharine Edwards (eds.), Imagining Rome: British Artists and Rome in the Nineteenth Century, exhibition catalogue, City Museum and Art Gallery, Bristol 1996, no.6, pp.77–8, reproduced as ‘The Roman Forum’.
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, cat.74, p.183, reproduced (colour).
David Blayney Brown, Turner Watercolours, exhibition catalogue, Tate Britain, London 2007, p.78 reproduced (colour).