E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.304 no.256, as ‘Casa Grimani and the Rialto’, 636 no.602, as one of ‘Twelve Leaves from a Book of Sketches at Venice’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.515, CLXXV 73, as ‘Casa Grimani and the Rialto. In bottom r.h. corner is written “Tragetto di S. Benetto” (Benedetto) and “Chapelo Morozini.”’.
A.J. Finberg, In Venice with Turner, London 1930, pp.46, 71, 166, as ‘p. 73, 74. The Grand Canal from the Traghetto di S. Benedetto looking towards the Rialto. “Tragetto de S. Benetto”, “Chapelo Morozini”. Sketch for the Farnley water-colour’, pl.XIII, as ‘sketch from nature’ for ‘The Rialto’.
Robert R. Wark, Ten British Pictures 1740–1840, San Marino 1971, pp.125–6, fig.97, as one of ‘Two adjoining pages from Turner’s 1819 Milan to Venice sketchbook’.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.219 under no.368.
Hardy George, ‘Turner in Europe in 1833’, Turner Studies, vol.4, no.1, Summer 1984, p.20 note 4.
Lindsay Stainton, Turner’s Venice, London 1985, p.52 under no.36.
Andrew Wilton in Haruki Yaegashi, Martin Butlin, Evelyn Joll and others, Turner Exhibition, exhibition catalogue, National Museum of Western Art, Tokyo 1986, p.244 under no.99.
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, p.108 under no.63.
Martin F. Krause, Turner in Indianapolis: The Pantzer Collection of Drawings and Watercolors by J.M.W. Turner and his Contemporaries at the Indianapolis Museum of Art, Indianapolis 1997, p.140 under no.40.
Evelyn Joll, ‘Huntington Art Gallery’ in Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.146.
Robert R. Wark, The Revolution in Eighteenth-Century Art: Ten British Pictures 1740–1840, 2nd ed., San Marino 2001, pp.121, 123, fig.97, as one of ‘Two adjoining pages from Turner’s 1819 Milan to Venice sketchbook’.
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.74, 101, 263 note 6.