E.T. Cook (ed.), Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged, London 1902, vol.I, p.102, as ‘The Little Church of St. Humber’.
Charles Holme (ed.), Robert de la Sizeranne, Walter Shaw Sparrow and others, The Genius of J.M.W. Turner, R.A., London, Paris and New York 1903, reproduced Pl.41: MW 18.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.609.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.198, LXXIV 32, as ‘The Little Church of St. Humber. Grande Chartreuse’.
[Humphrey Brooke], William Turner 1775–1851: Die Ausstellung wurde von der Tate Gallery für den British Council organisiert, exhibition catalogue, Berner Kunstmuseum, Berne 1947.
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, p.43–4 reproduced in colour.
Lindsay Stainton, in Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.66, 61 reproduced in colour Fig.113.
Robert Upstone, Turner: The Second Decade: Watercolours and Drawings from the Turner Bequest 1800–1810, exhibition catalogue, Tate Gallery, London 1989, pp.10 reproduced in colour, 21 reproduced.
Peter Bower, Turner’s Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1787–1820, exhibition catalogue, Tate Gallery, London 1990, p.81 reproduced in colour.
David Blayney Brown, The Art of J.M.W. Turner, London 1990, pp.150, 151 reproduced.
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, pp.41 reproduced in colour, 167, as ‘A building at or near the Grande Chartreuse Monastery’.
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.76–7 reproduced in colour, as ‘Part of the Monastery, Grande Chartreuse’.
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.76–7 reproduced in colour.