A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.843, CCLXIII 362, as ‘Street scene, with children, &c. Perhaps High Street, Oxford, with St. Mary’s in distance’. c.1820–30.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.26, reproduced in colour p., p.125 no.447, as ‘The High Street, Oxford’. c.1830–5.
Eric Shanes, Turner’s Picturesque Views in England and Wales 1825–1838, London 1979, p.152 no.88. as c.1830–5, pl.88 (colour).
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, pp.187, 191 note 31.
Patrick Youngblood, ‘The Stones of Oxford: Turner’s Depiction of Oxonian Architecture 1787–1804 and After’, Turner Studies, vol.3, no.2, Winter 1984, p.18, ill.29.
John Gage, J.M.W. Turner: ‘A Wonderful Range of Mind’, New Haven and London 1987, fig.116E (colour). as c.1832–5.
Ann Chumbley and Ian Warrell, Turner and the Human Figure: Studies of Contemporary Life, exhibition catalogue, Tate Gallery, London 1989, reproduced in colour p.20, p.37 no.25, reproduced, as 1830–5.
Eric Shanes, Turner’s England 1810–38, London 1990, p.260. as c.1830–5, pl.225 (colour).
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, reproduced in colour, p.29, pp.57–8 no.25, reproduced, as ‘Colour Study: The High Street, Oxford’. c.1837–9.
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.19, 26, 86, 90 under no.85, 96 Appendix I under ‘England and Wales Series’, as ‘Sketch of Oxford High Street’. c.1837, p.100 under ‘Oxford’, as ‘[Sketch for an England and Wales series view of Oxford High Street. c.1837]’, p.106 Appendix II, as ‘Sketch: Oxford High Street’.
Colin Harrison, Turner’s Oxford, exhibition catalogue, Ashmolean Museum, Oxford 2000, pp.91, 105 no.60, as ‘High Street: Oxford: Colour Beginning’. c.1835–8, pl.28 (colour).