Joseph Mallord William Turner The IJ Riverfront, Amsterdam, with the Schreierstoren between the Geldersekade and Ouderzijds Kolk, and the Spire of the Oude Kerk in the Distance; Detail of a Relief Panel from the Tower; the Groote Kraan 1825
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Joseph Mallord William Turner, The IJ Riverfront, Amsterdam, with the Schreierstoren between the Geldersekade and Ouderzijds Kolk, and the Spire of the Oude Kerk in the Distance; Detail of a Relief Panel from the Tower; the Groote Kraan 1825 -
Joseph Mallord William Turner, The IJ Riverfront, Amsterdam, with the Schreierstoren between the Geldersekade and Ouderzijds Kolk, and the Spire of the Oude Kerk in the Distance; Detail of a Relief Panel from the Tower; the Groote Kraan 1825 (Enhanced image)Enhanced image
Joseph Mallord William Turner,
The IJ Riverfront, Amsterdam, with the Schreierstoren between the Geldersekade and Ouderzijds Kolk, and the Spire of the Oude Kerk in the Distance; Detail of a Relief Panel from the Tower; the Groote Kraan
1825
Joseph Mallord William Turner 1775–1851
Folio 105 Recto:
The IJ Riverfront, Amsterdam, with the Schreierstoren between the Geldersekade and Ouderzijds Kolk, and the Spire of the Oude Kerk in the Distance; Detail of a Relief Panel from the Tower; the Groote Kraan 1825
D19047
Turner Bequest CCXIV 105
Turner Bequest CCXIV 105
Pencil on white wove paper, 95 x 155 mm
Inscribed by Turner in pencil ‘SCRAYER | HOVCH | 1589’ towards top right, and ‘KONINKLIJK[?EN] | Nederlandsche | LOTERIJ’ bottom right
Inscribed by John Ruskin in red ink ‘5’ top right, ascending vertically
Stamped in black ‘CCXIV – 105’ top right, ascending vertically
Inscribed by Turner in pencil ‘SCRAYER | HOVCH | 1589’ towards top right, and ‘KONINKLIJK[?EN] | Nederlandsche | LOTERIJ’ bottom right
Inscribed by John Ruskin in red ink ‘5’ top right, ascending vertically
Stamped in black ‘CCXIV – 105’ top right, ascending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.654, CCXIV 105, as ‘Buildings on quay. – “Scraver Honch, 1569,” “Koklinklisken, Nederlansche Loteri.”’.
1994
Fred G.H. Bachrach, Turner’s Holland, exhibition catalogue, Tate Gallery, London 1994, reproduced p.66, as ‘Amsterdam, Schreiers Toren’.
With the page turned horizontally, the main drawing centres on Amsterdam’s medieval Schreierstoren, as the Dutch Turner scholar Fred Bachrach recognised,1 at the north end of the tapering block between Amsterdam’s Geldersekade and Ouderzijds Kolk canals, to its left (with an elevating ophaalbrug-type bridge) and right respectively. It is seen from across what is now the broad Prins Hendrikkade, south of Amsterdam Centraal railway station. In the distance, down the Ouderzijds Kolk to the south-west, is the spire of the Oude Kerk. Built in 1487, the tower was originally part of the city walls and now houses a restaurant.2
The inscription ‘SCRAYER HOVCH 1589’ is taken from a low relief (shown as a small blank square in the main view), set into the wall to the right of the ground floor window nearest the corner. Now very weathered, it shows a classical figure in the foreground and a ship on a stormy sea to the left, as shown in Turner’s tiny sketch next to his note, and includes scrolls bearing the building’s name and the date.
The wording is a form of ‘Schreyhoeck[storen]’ in old Dutch, meaning the tower was ‘at a sharp angle’ of the defensive walls. More poetically, the name is also said to signify ‘weepers’ tower’, from the women saying farewell to sailors of the Dutch East India Company setting off for on the River IJ for long voyages.3 The immediate significance of the date is unclear, but likely relates to the development of the neighbouring Lastage area around that time. The inscription at the bottom right, ‘KONINKLIJKEN Nederlandsche LOTERIJ’ had a more contemporary relevance, referring to the Dutch royal lottery (now the Staatsloterij), founded in 1726; it was presumably taken from an adjacent sign or poster.
At the top left is a continuation to that side of the main view, looking south-east along the IJ to the city’s eastern docks (later enclosed as the Oosterdok), with the Groote Kraan (‘large crane’) in the foreground, shown on maps of the time on a platform inside the harbour booms just east of the tower and commemorated in the name of the adjacent Kraansluis bridge. The nearby Zeerecht building is seen on the verso (D19048). The riverfront has since been extensively developed, with more docks, the Victorian railway station and tower blocks; see under folio 81 recto (D18999) for other views in and around the city in this book and elsewhere.
Matthew Imms and Quirine van der Meer Mohr
September 2020
See ‘Schreierstoren’, Amsterdamoldtown, accessed 25 March 2020, https://www.amsterdamoldtown.com/places-of-interest/schreierstoren .
How to cite
Matthew Imms and Quirine van der Meer Mohr, ‘The IJ Riverfront, Amsterdam, with the Schreierstoren between the Geldersekade and Ouderzijds Kolk, and the Spire of the Oude Kerk in the Distance; Detail of a Relief Panel from the Tower; the Groote Kraan 1825 by Joseph Mallord William Turner’, catalogue entry, September 2020, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, March 2023, https://www
