Joseph Mallord William Turner The Ivy Bridge, on the River Erme at Ivybridge 1811
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Joseph Mallord William Turner,
The Ivy Bridge, on the River Erme at Ivybridge
1811
Joseph Mallord William Turner 1775–1851
Folio 156 Verso:
The Ivy Bridge, on the River Erme at Ivybridge 1811
D08655
Turner Bequest CXXIII 153a
Turner Bequest CXXIII 153a
Pencil on white wove writing paper, 75 x 117 mm
Part watermark ‘th | 96’
Part watermark ‘th | 96’
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1990
The Third Decade: Turner Watercolours 1810–1820, Tate Gallery, London, January–April 1990 (48, reproduced, as ‘Ivy Bridge?’).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.350, CXXIII 153a, as ‘One-arched bridge.’.
1981
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, p.152.
1990
Eric Shanes, Turner’s England 1810–38, London 1990, pp.37 under no.15, 283 note 14.
1990
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, pp.42–3, as ‘Ivy Bridge?’.
2000
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, p.102 under no.28.
In referring to page ‘153’ of this sketchbook as a source for the watercolour Ivy Bridge of about 1813 (Tate D18157; Turner Bequest CCVIII X),1 engraved in 1816 for The Rivers of Devon, though not published until 1821, Eric Shanes2 presumably intended the present, more extensive drawing rather than the unfinished, vertically orientated version on the recto (D08654; CXXIII 153). Diane Perkins was tentative in identifying it,3 but it seems likely that the drawing shows the Ivy Bridge, as Turner would have crossed it on his route westwards through Devon between Totnes (see under folio 94 verso; D08542; CXXIII 91a) and Plymouth (see under folio 3 verso; D08367). The watercolour was based more directly on a drawing in the later Devon Rivers, No.2 sketchbook (Tate D09722; Turner Bequest CXXXIII 45), which shows the bridge in a wider setting.
Having initially shown it too high and broad as it passes behind the foliage to the right, Turner heavily shaded the underside of the bridge, but subsequently corrected its curve with delicate concentric strokes suggesting the slight point at the apex which remains characteristic of the arch over the River Erme.
Matthew Imms
June 2011
How to cite
Matthew Imms, ‘The Ivy Bridge, on the River Erme at Ivybridge 1811 by Joseph Mallord William Turner’, catalogue entry, June 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www
