Catalogue of Sketches by Turner Lent by The Trustees of the National Gallery to the Ruskin Drawing School, Oxford, London 1878, nos.128 (1st edition), 96b (2nd edition), as ‘Florence’.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume I: Early Prose Writings 1834–1843, London 1903, pp.233, 244.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.380–1.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XXI: The Ruskin Art Collection at Oxford, London 1906, p.214.
A.J. Finberg, A Complete Inventory of the Drawings in the Turner Bequest, London 1909, vol.II, p.895, as ‘Florence’.
Adele Holcomb, ‘J.M.W. Turner’s Illustrations to the Poets’, unpublished Ph.D thesis, University of California, Los Angeles 1966, p.52, reproduced fig.14.
Cecilia Powell, ‘Turner’s vignettes and the making of Rogers’s “Italy” ’, Turner Studies, vol.3, no.1, Summer 1983, pp.6, 13 note 6.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.519 note 56.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.134, reproduced fig.140, as ‘Florence’.
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, p.55 reproduced and in colour pl.55, p.21.
Jan Piggott, Turner’s Vignettes, exhibition catalogue, Tate Gallery, London 1993, p.96.