E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.623 no.294, as ‘Venice: S. Giorgio from the Dogana’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1024, CCCXVII 22, as ‘S. Giorgio, from the Dogana. Exhibited Drawings, No.294’.
A.J. Finberg, In Venice with Turner, London 1930, p.175, as ‘S. Giorgio from the Dogana’, 1835 or 1840.
Jerrold Ziff, ‘Martin Butlin and Evelyn Joll, “The Paintings of J.M.W. Turner”’, Art Bulletin, vol.62, no.1, March 1980, p.170.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.206 under no.356.
Lindsay Stainton, Turner’s Venice, London 1985, p.51 no.35, as ‘S. Giorgio Maggiore with the Dogana’, ?1840, pl.35 (colour).
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.21, 90, 107, 258, 271 no.68, as ‘The Punta della Dogana, with San Giorgio Maggiore beyond’, c.1833 or 1840, fig.82 (colour).
Ian Warrell, Cecilia Powell and David Laven, Turner i Venècia, exhibition catalogue, Fundació ”la Caixa”, Barcelona 2005, p.162 no.93, as ‘La punta de la Dogana, amb San Giorgio Maggiore al fons’, c.1833 or 1840, reproduced in colour.