Philip Gilbert Hamerton, The Life of J. M. W. Turner, R.A., London 1879, p.188.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.813, p.642, as ‘Roman campagna’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.556, as ‘Roman campagna: Tiber from Castel Giubelio. Water colour; lakes faded through exposure. Exhibited Drawings, No.813, N.G.’.
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.86.
Luke Herrmann, Turner: Watercolours Lent by the British Museum, exhibition catalogue, Musée Provisoire d’Art Moderne, Brussels 1970, no.14, p., as ‘La Campagne Romaine: le Tibre vu de Castel Giubelio’.
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, reproduced in colour, p.187.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, British Museum, London 1975, no.61, p.53 under no.60, reproduced in colour, p.55, as ‘The Roman campagna, with the Tiber, from Castel Giubelio’.
David Loshak and Andrew Wilton, J.M.W. Turner 1775–1851: Akvareller og Tegninger fra British Museum, exhibition catalogue, Statens Museum for Kunst, Copenhagen 1976, no.23.
Werner Hofmann, Andrew Wilton, Siegmar Hosten and others, William Turner und die Landschaft seiner Zeit, exhibition catalogue, Hamburger Kunsthalle 1976, p.17, reproduced and in colour, p..
John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, pp.221–3 under no.149.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.122–3, 182, 356, reproduced fig.211.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.175 note 16, reproduced pl.164, as ‘The Tiber and the Campagna’.
Peter Galassi, Corot in Italy: Open-Air Painting and the Classical-Landscape Tradition, New Haven and London 1991, p.120, reproduced in colour pl.146.
Martin Butlin (ed.), Hiroya Sugimura, Ian Warrell and others, Sun, Wind and Rain: The Awakening of British Landscape Painting, exhibition catalogue, Tochigi Prefectural Museum of Arts, Utsonimiya 1992, p.227 no.66.
Rita M. Simon, Symbolic Images in Art as Therapy, London 1997, reproduced in colour pl.6, as ‘The Roman campagna with the Tiber from Castel Giubelio’.